The man who suited up astronauts during the 1960s passes away at 101
R.I.P. Joseph Schmitt, the man who suited up all the astronauts during the 1960s, has passed away at 101.
Schmitt put Alan Shepard into his Freedom 7 capsule for the United States’ first spaceflight in May 1961, and he was still suiting up astronauts more than 20 years later, making sure everything was sealed and connected properly. Before any flight, he would spend long hours in the testing laboratory with the astronauts, getting them accustomed to their suits and troubleshooting problems.
He wrangled suits through the Mercury, Gemini and Apollo programs and into the space shuttle era, a span during which spacesuits went from being, essentially, modified military gear to high-tech creations that could protect an astronaut on a spacewalk or on a stroll on the moon.
An important man, but invisible at the time. In Genesis: the Story of Apollo 8 I included pictures of the three Apollo 8 astronauts getting suited up, with one picture including an unnamed technician in the background whom I now suspect was Schmtt. Until now, I had never even noticed the technician at all. The focus was the astronauts, which though reasonable is also not really thorough. Everyone should always be credited for what they do, especially when what they do is hard, historically significant, and has to be done right. What Schmitt did was all those things.
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R.I.P. Joseph Schmitt, the man who suited up all the astronauts during the 1960s, has passed away at 101.
Schmitt put Alan Shepard into his Freedom 7 capsule for the United States’ first spaceflight in May 1961, and he was still suiting up astronauts more than 20 years later, making sure everything was sealed and connected properly. Before any flight, he would spend long hours in the testing laboratory with the astronauts, getting them accustomed to their suits and troubleshooting problems.
He wrangled suits through the Mercury, Gemini and Apollo programs and into the space shuttle era, a span during which spacesuits went from being, essentially, modified military gear to high-tech creations that could protect an astronaut on a spacewalk or on a stroll on the moon.
An important man, but invisible at the time. In Genesis: the Story of Apollo 8 I included pictures of the three Apollo 8 astronauts getting suited up, with one picture including an unnamed technician in the background whom I now suspect was Schmtt. Until now, I had never even noticed the technician at all. The focus was the astronauts, which though reasonable is also not really thorough. Everyone should always be credited for what they do, especially when what they do is hard, historically significant, and has to be done right. What Schmitt did was all those things.
Readers!
My annual February birthday fund-raising drive for Behind the Black is now over. Thank you to everyone who donated or subscribed. While not a record-setter, the donations were more than sufficient and slightly above average.
As I have said many times before, I can’t express what it means to me to get such support, especially as no one is required to pay anything to read my work. Thank you all again!
For those readers who like my work here at Behind the Black and haven't contributed so far, please consider donating or subscribing. My analysis of space, politics, and culture, taken from the perspective of an historian, is almost always on the money and ahead of the game. For example, in 2020 I correctly predicted that the COVID panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Every one of those 2020 conclusions has turned out right.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
He has an Oral history transcribed at NASA:
https://www.jsc.nasa.gov/history/oral_histories/SchmittJW/SchmittJW_7-97.htm
And… extremely very cool….he’s shown in the 1965 Norman Rockwell painting “Grissom and Young.” far left, helping Young suit up.
There is only one video of him at youtube I could locate; a crummy computer generated obit, but he’s undoubtedly in scores of NASA films, in the background.
(I need to check my copy of Genesis!)
here we go, nice .jpg file of “Grissom & Young” 1965, Norman Rockwell:
https://asd.gsfc.nasa.gov/outreach/podcast/nasm/Rockwell2.jpg