Taking back the arts to make them meaningful again
Link here. The essay first outlines the destructive corrupt and meaningless consequences of postmodernism on the arts:
The systematic undermining of the arts were a prerequisite for the Marxist goal of cultural disintegration. Before elitists began decreeing blatantly absurd claims such as mere words can magically transform men into women, or that Jeffrey Epstein killed himself, our cultural institutions replaced art with artifice. What they call “art” is an empty mimicry, lacking substance and significance.
The result has been absurd museum exhibits where garbage, literally garbage, is lauded as great works of art
The essay then describes a new and booming movement in the artistic community, dubbed remodernism, focused on restoring art to its more laudable place in the human heart.
In 2000, two English painters, Charles Thomson and Billy Childish, codified what they called Remodernism, an insurgency against the manipulative and destructive Postmodern status quo. Remodernism acknowledges the purpose of art: an inclusive means of spiritual communion and connection. This inspiring message is particularly in sync with the values of the United States.
Remodernism is the latest iteration of the American character: ordinary people working as explorers and inventors, optimistic, self-reliant and productive. A Remodernist artist formulates expressions of personal liberty to convey higher meaning, personal growth, and connectivity.
Remodernism sees art as a conduit for shareable moments of beauty, enjoyment, comprehension, and truth. Assembling these elements together approaches a state of grace, the ultimate expression of the love bestowed on us by our Creator. We are called to follow His example.
In other words, the goal of art should to be raise us up, rather than tear us down. I couldn’t agree more.
As they say, read it all.
The support of my readers through the years has given me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Four years ago, just before the 2020 election I wrote that Joe Biden's mental health was suspect. Only in this year has the propaganda mainstream media decided to recognize that basic fact.
Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Even today NASA and Congress refuse to recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
Please consider supporting my work here at Behind the Black.
You can support me either by giving a one-time contribution or a regular subscription. There are five ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation:
5. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above. And if you buy the books through the ebookit links, I get a larger cut and I get it sooner.
Link here. The essay first outlines the destructive corrupt and meaningless consequences of postmodernism on the arts:
The systematic undermining of the arts were a prerequisite for the Marxist goal of cultural disintegration. Before elitists began decreeing blatantly absurd claims such as mere words can magically transform men into women, or that Jeffrey Epstein killed himself, our cultural institutions replaced art with artifice. What they call “art” is an empty mimicry, lacking substance and significance.
The result has been absurd museum exhibits where garbage, literally garbage, is lauded as great works of art
The essay then describes a new and booming movement in the artistic community, dubbed remodernism, focused on restoring art to its more laudable place in the human heart.
In 2000, two English painters, Charles Thomson and Billy Childish, codified what they called Remodernism, an insurgency against the manipulative and destructive Postmodern status quo. Remodernism acknowledges the purpose of art: an inclusive means of spiritual communion and connection. This inspiring message is particularly in sync with the values of the United States.
Remodernism is the latest iteration of the American character: ordinary people working as explorers and inventors, optimistic, self-reliant and productive. A Remodernist artist formulates expressions of personal liberty to convey higher meaning, personal growth, and connectivity.
Remodernism sees art as a conduit for shareable moments of beauty, enjoyment, comprehension, and truth. Assembling these elements together approaches a state of grace, the ultimate expression of the love bestowed on us by our Creator. We are called to follow His example.
In other words, the goal of art should to be raise us up, rather than tear us down. I couldn’t agree more.
As they say, read it all.
The support of my readers through the years has given me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Four years ago, just before the 2020 election I wrote that Joe Biden's mental health was suspect. Only in this year has the propaganda mainstream media decided to recognize that basic fact.
Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Even today NASA and Congress refuse to recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
Please consider supporting my work here at Behind the Black.
You can support me either by giving a one-time contribution or a regular subscription. There are five ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation:
5. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above. And if you buy the books through the ebookit links, I get a larger cut and I get it sooner.
“Submerged Turntable”
Evan Holm
https://youtu.be/LFLHFBHOO1g
1:04
If I have to think and or guess what the heck an artists was trying to convey with their work then I no longer like it.
I either don’t want to think about anything when I see it and will just enjoy the view or I get the message right away and think about it later.
Edward Hopper
My Creative Process
1961 (excerpt)
https://youtu.be/ENHPE8kZcf8
2:04
Two much wow and flutter on that turntable.
Art is about communication, so if the audience can’t understand what the artist wants to communicate, it’s a failure for the artist. However, there should be some complexity to the craft, where understanding everything about a piece should be easy.
Here is a great example of skill, https://duckduckgo.com/?q=photorealism&t=brave&iax=images&ia=images
Ancient Chinese proverb: When a well connected woke social elite sells a leaf stuck to a wall with chewing gum as “art” for an outrageous price, it’s really just money laundering.
A friend’s dad was a professor teaching art at college. One day I saw him reviewing his class’s projects, and he came upon one student who’s project was just awful.
Prof: “What are you trying to say here?”
Student: “I’m just reflecting the chaos and ugliness in today’s -“
Prof, pissed off, interrupting: “You’re not reflecting anything – You’re ADDING TO IT!”
wodun–
-very good stuff!
Will Eisner:
Portrait of a Sequential Artist
2012
https://youtu.be/gL9zI-WI0Go
9:38