Ann Miller – I’ve Gotta Hear That Beat
An evening pause: From the 1953 film Small Town Girl. Proves once again that America was not hostile to highlighting women in all things in the past. They simply had to have the talent, skill, and determination to earn that spotlight.
Hat tip Judd Clark.
Readers!
Please consider supporting my work here at Behind the Black. Your support allows me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Only now does it appear that Washington might finally recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
That looks like a very uncomfortable outfit. Notice how the bustier does not move while her bust does.
Wasn’t familiar with Ann Miller until I watched Kiss Me Kate a few weeks ago. I got it because it was a 3D bluray. It was recently restored and looks great. Ann Miller was at lot of fun to watch in it, more so than the lead actress. I enjoyed watching her in this clip
The talent and creativity of the old big stage musicals always impresses me. Musical instruments held up through holes in the floor! Who would ever think of that?
Dancing Gerald,
If your acquaintance with Ann Miller is recent, you have much to look forward to. Not only was she one of the great beauties of show business history, Ann Miller was one of the two best female tap dancers of the 30s, 40s and 50s – the other being Eleanor Powell. On “Kiss Me Kate” Ann was responsible, among other contributions, for securing Bob Fosse his first on-screen choreography job for the “From This Moment On” number. Fosse was also one of the male dancers in that number too.
Allan,
The production designer and director of the “I’ve Got to Hear that Beat” number was the great Busby Berkeley, an authentic show-biz genius even if also a decidedly problematic human being.