Making heroes of barbarians, on Netflix
I have previous railed against the decline in the use of language in the United States. Not only do Americans now routinely use obscenities in normal language, they have been meekly acquiescing to the demands of the radical and somewhat insane queer movement to accept its weasel words in order to hide what it really is.
The recent viral and passionate endorsement by conservatives of all stripes to a new song and the performance by a new country singer, Oliver Anthony, illustrates how this decline to barbarism is accelerating. The focus of Anthony’s song is the cruel destruction of the American way of life by the power-brokers in Washington, and how those power brokers are making life so difficult for ordinary people.
What makes Anthony’s song indicative however of society’s increasing barbarous trend is his language. Right from the start he nonchalantly uses obscenities that would have once been considered unacceptable by everyone, and until recently utterly unacceptable among our more conservative population.
Yet now, even conservatives see nothing wrong with Anthony’s use of obscenities. Apparently, it is now okay for everyone to spew curse words everywhere, in public, in songs, for all to hear, from children to adults. Anthony’s message condemning the tyranny coming from Washington is too important to ignore. It must be touted widely, no matter how obscenely he couches his statement.
In other words, now even conservatives don’t care if our culture is debased and damaged. It doesn’t matter if we teach young children that they can act like barbarians, cursing and expressing wild emotions without thinking. It is policy and political power that matters, not doing right and behaving properly.
For though curses and obscenities have their place and proper time, in a civilization of rational civil adults one does not encourage their use. » Read more