John Anderson – Seminole Wind
An evening pause: Hat tip Jeff Poplin.
A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: Hat tip Jeff Poplin.
An evening pause: Recorded live 1974.
Hat tip Edward Thelen.
An evening pause: They are having so much fun doing this. Hat tip Jeff Poplin.
Just an ordinary story about the way things go,
Round and round nobody knows.
But the highway
Goes on forever.
That ol’ highway
Goes on forever.
An evening pause: Performed live at a concert honoring Willie Nelson.
Hat tip Jeff Poplin.
An evening pause: Hat tip Jim Mallamace, who wrote, “This video is maddening to a male. I’m afraid to show it to my wife.”
An evening pause: Hat tip Jeff Poplin.
An evening pause: Hat tip John Harman. This video has been around for awhile, but I hadn’t ever actually watched it until now. What it shows is very cool, but sad in so many ways. As a government project the whole Soviet space shuttle program was generally a dead end waste of resources (as was our own shuttle). Yet, it was possibly one of Soviet Russia’s greatest technological achievements — which they have allowed to rot away in these abandoned hangers, rather than opening them up for their citizens to see and admire and learn from.
A evening pause: Hat tip Edward Thelen. The camera work could be better, but the song is really good, and as Edward notes, “I have to say that any group with a name like this is cannot be all bad.”
An evening pause: I previously posted a biography of Robert Mitchum by this same filmographer. This one, about James Garner, is equally worth a viewing. And like the Mitchum biography, it shows how humble and ordinary a man Garner was.
Hat tip Willi Kusche.
An evening pause: The music is Monody by Christian BΓΌttner, known generally as TheFatRat. The singer is Laura Brehm.
Hat tip Wayne DeVette.
An evening pause: The music is by Enrico Morricone from the film The Mission (1986). There it is entitled Gabriel’s Oboe, a musical piece I have posted previously here as an evening pause. Here it is sung to lyrics written by Chiara FerraΓΉ, celebrating the joys that freedom brings. “I dream of souls that are always free,/Like the clouds that fly.”
Hat tip Jim Mallamace, who notes that this song is written by an Italian and sung by a Korean about the American aspiration of freedom. Seems to me that this illustrates two aspects of that American aspiration, one of which is freedom, the second of which is that freedom is something all people from all cultures aspire to.
An evening pause: To help start out a new year, a scene from the 1940 John Ford classic, The Grapes of Wrath, based on John Steinbeck’s novel. While the movie tended to make government a saintly hero, which bothered me from the first time I saw it, it also captured the heart and generosity of the American spirit, as certainly existed in the previous century. Even if you are poor and desperate, if you insist on paying your fair share and don’t ask for a hand out, Americans immediately rally around you, in a quiet unassuming way, without wishing credit or accolades.
Hat tip Wayne DeVette.
Note that I am in need of suggestions for evening pauses. If you have made suggestions before, you know where to send them. If you haven’t and want to, leave a comment here and I will email you. Don’t include the link to the pause, however, as I want to schedule it, and that will blow the punchline.
An evening pause: Performed live in 1975. A nice song for the new year. We should all have someone to make us feel brand new.
Hat tip Diane Zimmerman.
An evening pause: A good way to end the year.
An evening pause: Hat tip Wayne DeVette.
An evening pause: Hat tip Jim Mallamace, who asks, “Ok guys, what would be your description on the order form?”
An evening pause: A nice way to close this year’s Christmas season. Hat tip Wayne DeVette, who notes this performance’s “unique arrangement.” Quite refreshing.
An evening pause: Most people in the secular world today know this version of the hymn, but this performance of the original is so magnificent I think all should see it, whether you are Christian or not. And for those who are Christian, what better day but today to hear it.
To me, it was this performance from 1987 by Jean Redpath that is most meaningful, but in good will I — a secular humanist born a Jew — post the gospel version now.
An daytime pause: For me, this version, starring Alastair Sim, remains the best of all the many adaptions of Charles Dickens classic short novel. Always worth seeing during the holiday season. As I wrote last year when I posted it, “I watched this again and felt like weeping, not because of the sentimentality of the story itself but because it is so seeped in a civilized world that increasingly no longer exists. There was a time when this was our culture. I fear it is no longer so. As noted by the Spirit of Christmas Present, ‘This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.’β
May all my readers have a wonderful Christmas, and a Happy New Year.
An evening pause: And yes, that’s Ian Anderson of Jethro Tull on the flute.
Hat tip Wayne DeVette.