A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: There is much talk about limits in the availability of lithium and the the control by China of this resource. This video kind of suggests that talk is hogwash. Whether we should mine it for electric cars remains a far different question.
Hat tip Alton Blevins.
An evening pause: This video breaks one of rules for a good evening pause, in that is is shot from one static wide shot camera. I normally reject such videos, as the visuals are boring. I make an exception here because of the music and the arrangement, which is so breath-taking you don’t care about the visuals at all. Makes me want to know more about this composer and his work.
Hat tip Alton Blevins.
An evening pause: Most people today likely associate this music with space stations and spacecraft in space (influenced by the movie 2001: a Space Odyssey), but this video shows the real reason it was written, for dancing the waltz.
Hat tip Judd Clark.
An evening pause: This sequence shows the almost vain attempt to shoot a series of quick jokes using the running gag of Buzzi playing her character “Gladys” on a park bench being “accosted” by Arte Johnson, playing his character “Tyrone”. Rickles adds another element. It shows again that humor is at its heart silliness. If you can’t be silly you can’t be funny, and these three comedians certainly understood that.
Hat tip Cotour.
An evening pause: Performed live in Japan, around 1986.
Hat tip Judd Clark, who describes this accurately as “appealingly bizarre.” To me it simply shows how Cyndi Lauper had a humble sense of humor.
An evening pause: For those familiar with the 1960s British television show, Danger Man (which in the U.S. was titled Secret Agent) starring Patrick McGoohan (more famous for the later spy series The Prisoner), this music will be very familiar. It was written by Edwin Astley, was the theme music for the second iteration of the British release. In the American release it was used as background music throughout the show. You can watch the entire series here. It has what I call muscle, and is well worth your time.
Hat tip Wayne DeVette.
An evening pause: This is long, but if you like popular music, of all kinds, you will find it worth the watching. To paraphrase one comedian, you will never hear these songs (or most other pop songs) the same way again.
Hat tip Diane Zimmerman.
An evening pause: Performed live 1970. Tommy Shannon is on bass and Uncle John Turner is on drums.
Hat tip Judd Clark.
An evening pause: This was I think the song that made her career. Its shallow environmentalism, from the still naive 1960s, seems appropriate today on Labor Day.
Hat tip Judd Clark.
An evening pause: Performed live 1965. That’s Frank Sinatra, Sammy Davis, Dean Martin, and Johnny Carson.
Hat tip Wayne DeVette.
An evening pause: Performed live on television, and includes Etta James, George Benson, Carlos Santana, Dr. John, and Tom Scott.
Hat tip Mike Nelson.
An evening pause: The Rogers & Hammerstein classic from the 1945 musical Carousel. Pop groups in the 1960s routinely covered classics like this, because they knew their music history, used it to influence their own work, and also wished to celebrate it.
Hat tip Diane Zimmerman.
An evening pause: I admit that I was never a fan of Winehouse, but quality is still quality, even if one has different tastes.
Hat tip Doug Johnson.
An evening pause: Some automotive racecar history from before WWII, showing cars then capable of going more than 250 miles per hour.
Hat tip Judd Clark.
An evening pause: None of course were ever built. Most were government concepts that would have cost a fortune and never considered profit as a motive. The last concept is the wildest, and uses exploding nuclear bombs to propel it.
Hat tip Alton Blevins.
An evening pause: As one commenter on youtube said, “This guy’s body must be fully made of water.”
Hat tip Dave McCooey.
An evening pause: I bet you didn’t know that this music was by Sousa. I also suspect Sousa would have never guessed how this march would become so well known in the late 20th century.
Hat tip Tom Biggar.
An evening pause: Time for another Berkeley extravaganza. This except is only a small part of the full thirteen-plus minute Lullaby of Broadway number in the movie Gold Diggers of 1935. This movie was made when the talking pictures were still new, and making films that highlighted “All Talking! All Singing! All Dancing!” was the rage. It was also a time when all Americans danced arm-in-arm as one of their main forms of entertainment, so interest in great dancing like this was at its height.
Hat top Judd Clark.
