An evening pause: A very strange instrument from the 1970s whose keys play strips of magnetic audio tape for each note. You can listen to a performance of “Nights in White Satin” on a Mellotron here. This is definitely a sound from the 1970s, used in many songs of that time.
An evening pause: From the 1933 Hollywood musical, Footlight Parade, one of Berkeley’s most spectacular overhead dance numbers. Remember, no CGI. These are real women performing this number.
An evening pause: I posted this as an evening pause a dozen years ago. Diane found it again and said it must be posted again. I agree. It is absurdly silly but I guarantee that once you watch you will never forget it. It also appears, from the comments on the youtube page, that young children — who understand the importance of silly — like it especially.
A evening pause: This song seems fitting on this, the anniversary of the day Neil Armstrong took the first human step on the Moon. The song however honors Mike Collins, who remained in orbit on Columbia, never to touch the surface of the Moon itself.
An evening pause: For the weekend, some recreational activity. There are two or three cuts, but in general he makes the whole run non-stop. If you want to get your palms sweating play some of this at 2x normal speed. The location is in San Felix, Columbia.
An evening pause: This is called a battle of the drum bands, but in truth this particular performance demonstrates their ability to merge their talents into one grand show.
An evening pause: As the first comment on the youtube page notes, “Before there was Duelin’ Banjos, there were Duane Eddy and his great sax player going back and forth.”
Hat tip Dave McCooey.
UPDATE: The first version I had embedded was removed by Youtube between the time I scheduled it and tonight. The version below is just as good.
An evening pause: Retracing the moments leading to the airplane crash that killed Buddy Holly , the Big Bopper and Richie Valens. For pictures of the memorial items left by others at the crash site, go here.
An evening pause: Aired live April 4, 1968. This important moment in time not only illustrates the incredible tolerant and eccentric nature of 1960s culture, it shows us Johnny Carson at his best. He recognizes the eccentricity of his guest, uses it for humor, but then is also sincerely willing to interview Tim and let him express himself. As always, Carson is kind to his guest, which is one of the reasons his audience loved him so much.
Carson also recognized that Tiny Tim’s eccentricity was great entertainment (something Tim recognized himself quite clearly), which is why Carson allowed the appearance to go so long. It was good show business.