Pat Metheny – So May It Secretly Begin
An evening pause: Hat tip Rex Ridenoure of Ecliptic Enterprises.
A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: Hat tip Rex Ridenoure of Ecliptic Enterprises.
An evening pause: Music by Ennio Morricone, played on the theremin with the Győr Philharmonic Orchestra.
Hat tip Cotour.
An evening pause: The first two movements are wonderful too, so if you want, start this from the beginning. I begin it at movement three only because that movement is to me one of the most powerful pieces of music I have ever heard. The mix of low and high notes I think creates vibrations that touch the soul. And the melody ain’t bad either.
An evening pause: For tonight, the second Passover Sedar, a short video explaining some of the philosophical underpinnings of Passover. Though decidedly from the reform (and liberal) side of the Jewish community, it still summarizes much of what Passover represents. On this holiday each person must imagine themselves a slave, so as to better appreciate what freedom represents.
The orthodox side of the Jewish community would add that this freedom comes from God, for which we must be ever thankful. The orthodox would also note that our freedom exists because of the arrival of the Torah, the Ten Commandments, and the rules for living a good life, handed down to at Mt. Sinai, after the exodus.
I say, be humble and try to do right, to the best of your ability, no matter what others demand (the Bible, even for someone who does not believe in God as the religions do, provides a good instruction manual). Do that, and you will certainly be free.
An evening pause: To put it mildly, there is practically nothing in this song that is correct about Passover, except the title and the humorous indomitable spirit of the Jewish people.
For tonight, the first Passover Sedar.
An evening pause: Rather than post an April Fool’s prank today, why don’t we see some modern magical engineering that even engineers can’t figure out.
Hat tip Tom Biggar.
An evening pause: He admits to doing some audio manipulation to his voice to get it to sound as it does, but no matter, it sounds really good.
Hat tip Cotour.
An evening pause: Performed live in 2011. Somehow this seems appropriate at the moment.
Hat tip Diane Zimmerman.
An evening pause: A clever way to extend research time under water. My only question in thinking about the experiments she was doing: What happens if it gets cooler?
Hat tip Cotour.
An evening pause: Performed live, August 8, 1970. A nice way to energize for the weekend.
Hat tip Mike Nelson.
An evening pause: A hit in 1970, this song to me was one of the nicest songs from that time, and in many ways signaled the end of the 1960s.
Hat tip Diane Zimmerman.
An evening pause: This is a bit long for an evening pause, and I myself did not understand a good portion of the terminology, but it is still fascinating and worth watching nonetheless, if only to give you hope for the future. As the last questioner at the end said, “I think you’ve raised the bar on what all of us should expect from our kids now.”
Hat tip Diane Wilson.
A evening pause: Performed live in 2014.
Hat tip Mike Nelson, who notes that the song probably “resonates far more to you and me than the performer. The lyrics trigger vibrant memories of my life as a kid in the 1960s going to Redeemer Lutheran grade school.” I agree, as someone who also grew up in the 1960s going to public school in Brooklyn, New York. Yet, I also suspect that Covington’s childhood, born in 1977 in North Carolina and growing up in the 1980s, was not that much different. No computers, and as a kid you played outside.
And most important of all, you grew up with a mother and a father, who were committed to staying together to raise their kids. That time is sadly long gone, and the children since have suffered terribly because of it.
.