A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: Stay with it, because after the music Liberace and Sammy Davis do some comedy and a dance number that is pure light-hearted entertainment, the kind of thing that was normal on television in the 1960s, and now seems so difficult for modern performers to achieve.
Hat tip Tom Biggar.
An evening pause: Hat tip Diane Zimmerman, who had not thought of this 1972 song until we saw the band make a quick cameo playing it on a 2001 Simpsons episode.
An evening pause: This pause was first posted by me back in 2011. As tonight is the fiftieth anniversary of that grand moment, I post it again, if only to remind the jaded and pessimistic youth of today that miracles really can happen. As I wrote then,
In 1969 the lowly New York Mets, doormats in the National League from the moment the team was created in 1962, came out of nowhere to win the pennant and the World Championship of baseball. … I and my friend Lloyd attended the game in which the Mets clinched first place in the National League Eastern Division. Below is video showing highlights of the game plus the final out, with the crowd pouring onto the field. Though you can’t see me, I am in that crowd, jumping for joy at this most unlikely sports miracle. There was no rioting, only happy fans chanting “We’re number one!” in exuberant disbelief.
And I still have that small piece of turf from Shea Stadium, collected on that night, proof that the unexpected and improbable is always possible.
The unlikeliness of the Mets championship in 1969 cannot be overstated. Before 1969, the team had never finished higher than next to last, each season losing more games than they won. Then, in 1969 they posted a 100-62 record, while coming from far back to overtake the favored Chicago Cubs for the pennant. Moreover, during that 1969 season all kinds of unusual things kept happening. To give just one example, they won a double header by scores of 1-0, with the pitcher in both games driving in the winning run.
As their first manager and Hall-of-Famer Casey Stengel would say, “You could look it up!”
In 1973 the Mets won the pennant again, following the motto “You gotta believe!” pushed by their relief pitcher Tug McGraw. McGraw was so right. Combine talent, dedication, hard work, and an unwavering belief that all things are possible, humans can sometimes do amazing things.
An evening pause: Another movie pause tonight, this time showing the films themselves. This clip includes two performances of this song, from two different Astaire & Rogers films. The first, from Shall We Dance? (1937), has Astaire singing the song, knowing that the Rogers character is leaving him. Of course she ends up not going.
The second clip is from The Barkleys of Broadway (1949), their last film together and done after a split of ten years. They knew then this would be their last film, and now the words have a meaning far greater than the story in the film. When they exit at the end of this song, they know it is pretty much for the last time.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: The theme song from Goldfinger (1964) might have been one of the best theme songs among all the Bond films. This live performance by the voice from that original film is from 2011, when she was 78 years old.
Hat tip Tom Biggar.
An evening pause: The visuals here have a very nice documentary feel, even those shots which were clearly staged. They all invoke the highway world of travelers, almost anywhere in the U.S.
Hat tip Robert Pratt of Pratt on Texas.
An evening pause: Without question Hanks has been one of the world’s best actors in the past three decades. And his choice of scripts has always been excellent. From Forrest Gump (1994).
Hat tip Cotour.
An evening pause: From the youtube page:
The Puttin’ On The Ritz music video is a creative collaboration between Alpert, artist Glenn Kaino and filmmaker Afshin Shahidi with choreographers Napoleon & Tabitha D’umo from So You Think You Can Dance and produced by Kerith Lemon. One long camera shot follows the lead dancer, Vincent Noiseux on a musical journey and features musicians Lani Hall, Bill Cantos, Hussain Jiffry and Michael Shapiro as well as corps dancers like Kherington Payne and others that have been seen on So You Think You Can Dance, America’s Best Dance Crew, Dancing with the Stars, This is It, Step Up and more.
Hat tip Tom Biggar, who notes that Albert makes some cameos, which I think includes both the bus driver and the bartender.
An evening pause: If only we could always communicate this easily with government officials.
Hat tip Phill Oltmann.
An evening pause: Sadly, I think this short film captures well the cold inhumanity of the coming future, even if it also shows us a technological society capable of routine tourist travel to the stars.
Hat tip Cotour.
An evening pause: On this day of remembrance, this song seems fitting. And as the lyrics boldly state,
I won’t be made to ever feel ashamed
that I’m American made
I got American parts
I got American faith
In America’s heart
Go on, raise the flag
I got stars in in my eyes
I’m in love with her
And I won’t apologize.
The image that best reveals what America represents, as a messenger of freedom, is that photograph of the American soldier gently cradling a baby refugee from war. Or as said in the 1993 movie Gettysburg, “We are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.”
An evening pause: Hat tip to Thomas Biggar, who wrote, “This piece was written by Michel Colombier and released in 1971. Emmanuel was written to honour the memory of his son who died when he was only 5 years old.”
An evening pause: Kinda calm and relaxing.
Hat tip Thomas Biggar Rex Ridenoure of Ecliptic Enterprises.
Both have been generous with their suggestions, I just got them confused for this particular pause.
An evening pause: Movies and television would never do things like this. Never!
Hat tip Phill Oltmann.
An evening pause: Two songs on this appearance on the Tonight Show on December 7, 1987, plus a bit of their interview afterward with some interesting tidbits.
Hat tip Thomas Biggar.
An evening pause: I am not a jazz fan, but these guys (especially the flutist and violinist) seem to be having so much fun!
Hat tip Diane Wilson.
An evening pause: I like this far better for Labor Day than anything else I’ve thought of. It’s cute, sweet, nice, and hopeful. And it somehow seems fitting as we close out the summer of the 50th anniversary of the Apollo 11 landing.
Hat tip Frank Kelly.
An evening pause: The view of Earth in 2016 as seen by the Japanese weather satellite Himawari-8 from geostationary orbit.
Hat tip Thomas Biggar.
An evening pause: Wells made one of the greatest films ever, Citizen Kane (1941), and then spent the rest of his life failing at finishing almost anything. Along the way he met some interesting people, and in this short clip during an interview on the Dick Cavett Show from July 27, 1970, he tells some of those stories.
His story about Churchill fits the gracious and humorous personality of that man to a “T”.
Hat tip Cotour.
An evening pause: Some jazz, that starts like 1950s cocktail music, and transcends into something very different.
Hat tip Diane Wilson.
An evening pause: I think only someone who was raised speaking Russian (or some variant) could naturally be able to achieve these deep sounds.
Hat tip Thomas Biggar.
An evening pause: Unlike yesterday’s evening pause, tonight we look at some remarkable engineering that works perfectly, from the 1920s.
I would love to learn how this works.
Hat tip Diane Wilson.
An evening pause: A breath-taking collection of crashes and failures during the 2018 National Hot Rod Association race season One could call this a collection of engineering failures, but I don’t see it that way. For one, absolutely no one was seriously hurt, proving the design of their safety features. For another, the engine failures show how they are pushing the engineering to the max to win.
Hat tip Cotour.
An evening pause: There is a lot of modern art blarney in this artist’s view of the depth of this work, which is both literally and figuratively very shallow. Nonetheless, attention must be paid to the brilliant engineering and beauty of the work.
Hat tip Cotour.
