A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: We started the Christmas holiday season with this carol. We shall now end with it. As always, all the best to our Christian brethren on this day, one of their most sacred holidays.
Hat tip Judd Clark.
A Christmas pause: As I have done now for several years on Christmas day, I bring you the classic 1951 version of Charles Dickens’ A Christmas Carol, starring Alastair Sim. Still by far the best adaption of the book and a truly wonderful movie.
And as I noted in a previous year:
Dickens did not demand the modern version of charity, where it is imposed by governmental force on everyone. Instead, he was advocating the older wiser concept of western civilization, that charity begins at home, that we as individuals are obliged as humans to exercise good will and generosity to others, by choice.
It is always a matter of choice. And when we take that choice away from people, we destroy the good will that makes true charity possible.
It is also most important that we all heed the words of Christmas Present: ‘This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.’”
An evening pause: Makes me think of Disney’s Peter Pan (1953) and Miyazaki’s My Neighbor Totoro (1988), about how some things only children can see.
Hat tip Judd Clark.
An evening pause: A nice cover of the Beach Boys classic.
Hat tip Alton Blevins.
An evening pause: Performed live for television, 1998.
Hat tip Judd Clark.
An evening pause: Performed live 2021 in the King’s College Chapel, Cambridge.
An evening pause: A bright cheery way to start the last week in the Christmas holiday season. CORRECTION: I have discovered that the performer here is not Mariah Carey, as listed in the video, but another singer doing a nice cover. I have corrected the post.
Hat tip Alton Blevins.
An evening pause: Yes, I know it is a commercial, but it is right for the season. And it reminds us of the never-ending human desire — not often possible — to always believe all things can be made better. Such a belief enriches us. We should never lose it, no matter how bad things become.
Hat tip Mike Nelson.
An evening pause: On this, the last day of Hanukkah, we finish with a moving song that celebrates the city of Jerusalem, first published just days before the 1967 Six-Day war, and then revised slightly by its author, Naomi Shermer, after the eastern half of the city was recaptured by Israeli troops and made available to both Jews and Muslims for the first time since the 1948 war. Before then Jordan had barred Jews from entering, and had allowed many Jewish religious sites to be desecrated. When Israel took over that ended, and all sites were opened to all. (In subsequent years Muslim intransigence has slowly once again closed to Jewish Israelis the areas under Muslim control.)
The song is also sad, because it recognizes the thousands of years of conflict by many over this small spot on Earth. Most of those conflicts were caused by those who wished to kick the Jews from this place, even though they probably have more right to it than anyone else on Earth.
Hat tip Judd Clark.
An evening pause: Two professionals show how to make a song fresh that unfortunately has become too familiar.
Hat tip Alton Blevins for the song suggestion for this holiday season.
An evening pause: Though the prayer is recited every fall during services during the Ten Days of Repentance, from Rosh Hashanah through Yom Kippur, this music is modern, originally sung by Barbara Streisand. It is fitting now both for Hanukkah and the events in Israel. Activate closed captions to read the English translation. It is a prayer asking God for forgiveness for past sins as well as renewal and mercy in the coming year.
Hat tip Judd Clark.
An evening pause: Performed live 2012.
Hat tip Alton Blevins.
