An evening pause: On this day, the anniversary of Pearl Harbor, we must remember all those who died to keep us free. Or as one of the memorials shown in the video says, “We mark the price of freedom.”
The Atacama desert is home to the darkest and cleanest skies in the world. …The environment is harsh though. Filmed in freezing temperatures, altitudes up to 5000m/16000ft, salt lakes and icy slopes, the Atacama is not friendly to life and equipment.
An evening pause: Beautiful, and the sentiment is right. I do however wonder in this song whom she is referring to with the pronoun “they,” and if she thought about this with any depth.
An evening pause: From the 1958 movie of the great Rodgers & Hammerstein musical, South Pacific.
I first saw this movie as a child when I was around five years old. I didn’t understand the story really, and was especially puzzled by some lyrics, especially because my young mind took them very literally. (Just consider “I’m going wash that man right out of my hair!”)
What I do remember was that this song became one of my favorites throughout my early childhood. In hearing it recently again, I was struck by something I clearly remember, from that childhood. The song is about the draw of love and desire, which is what Bali Ha’i partly represents. However, Hammerstein’s lyrics refer to more, to the greater magic hidden in life everywhere, the mystery that lies behind the black, you might say. It is a theme he repeated in many of the songs he wrote for Richard Rodgers..
What struck me now was how I clearly remember, as a child of five, being very aware of this second somewhat sophisticated meaning. At first I was a little surprised that a child of five could comprehend such concepts, but then as Wordsworth wrote,
The Soul that rises with us, our life’s star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
and not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
As a child I knew nothing of the sexual draw of Bali Ha’i, but I understood its mystical nature quite naturally. I have since spent my life trying to hold onto those “clouds of glory,” because they help connect us better to the enigma that is existence.
This version uses Juanita Hall’s own voice, from an earlier recording. For the movie they dubbed her singing because Rodgers no longer thought her aging voice sounded right.
An evening pause: Read by Tom O’Bedlam. Listen close, and you will understand why this poem came after a dream induced by taking opium. Most fitting, the day before Halloween.
An evening pause: As described on the website, this was an “individual ‘freestyle clogging’ exhibition by the Green Grass Cloggers with old time string band music by Strictly Strings from Boone, North Carolina.’