Eric Whitacre – The Seal Lullaby

An evening pause: Originally written for a film that was never made, this song speaks to the emotion of every parent, watching their child asleep.

Oh, hush thee, my baby, the night is behind us
And black are the waters that sparkled so green
The moon, o’er the combers, looks downward to find us
At rest in the hollows that rustle between

Where billow meets billow, then soft be thy pillow
Oh weary wee flipperling, curl at thy ease
The storm shall not wake thee, nor shark overtake thee
Asleep in the arms of the slow swinging seas

Asleep in the arms
Of the slow swinging seas

Whitacre is the conductor in this performance by Junges Vokalensemble Hannover.

Hat tip Edward Thelen.

AT&T: How to Use the Dial Phone

An evening pause: I would not be surprised if some of the younger readers of Behind the Black would need the instructions in this silent film in order to properly use a rotary phone.

Introducing any new technology requires instruction. This was strange stuff to homeowners in 1927, but a great improvement over party line phones that required an operator to do the dialing. And this was cutting edge then, and a symbol of the future.

Hat tip Jim Mallamace.

2″ 2.5″ 3″ 4″ 5″ 6″ 7″ 8″ 10″ 12″ 16″ 24″ 36″ 48″

An evening pause: As John Adams predicted right after ratification of the Declaration of Independence, Independence Day “…ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations from one end of this continent to the other, from this time forward forever more.”

It was a declaration for freedom. And even if freedom dies here in this country, the idea will live on, as long as the individual soul of any human beats strong.

As an aside, check out this old post, before I moved to Arizona, when I used to participate on a fireworks team.

Hat tip Willi Kusche.

Super Batucada

An evening pause: Don’t ask me to explain. The youtube website is in spanish, but it sure seems to be some wild finale performed at the end of the school year, performed with only the kind of energy teenagers can bring to it.

And the teacher in the lead ain’t bad either.

Hat tip Jim Mallamace.

The ship cut in half

An evening pause: The youtube page explains:

Norwegian cruise ship “Braemar” was literally split in half. Carried out at the shipyard in Hamburg operation was aimed at extending the hull by 30 feet. Between the two separated parts inserted third. The ship was repainted and with a new name – “Balmoral” – went on another tour.

Hat tip Edward Thelen.

Dolly Parton – Stairway to Heaven

An evening pause: Parton often likes to invoke the dumb blonde in her stage presence, but this is one thing she definitely is not. This performance demonstrates that she knows music, and how to do it, with great skill, talent, and intelligence.

The music will at times appear to be out of sync, because the visuals come from one live performance but the sound from another. They match remarkably well however. Ignore this minor issue, and instead watch the talent perform.

Hat tip Diane Zimmerman.

Walt Disney’s MultiPlane Camera

An evening pause: This was filmed in 1957, and was almost certainly made to be shown as part of Disney’s weekly television show series for kids that began in 1954 and was one of television’s most popular shows in the 1960s. It describes one of the most important technical developments in animation, developed by Disney, until the arrival of computers.

To repeat: This was made for kids, yet it is thoughtful, entertaining, educational, and quite detailed in the information being conveyed. It treats its young audience with great respect and dignity.

I generally do not watch children’s shows today, but the few that I have seen have generally been quite shallow, overwrought, and would have insulted me, when I was a child. I don’t know if today’s kids would react the same today, because when I was a child Disney’s show was somewhat typical. I expected to be treated with respect. Today’s kids might not have that expectation.

Hat tip Wayne DeVette.

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