A nightly pause from the news to give the reader/viewer a bit of classic entertainment.
An evening pause: I’ve posted this song previously, performed by writer Brubeck and his quartet. This Pakistani version is definitely worth its own viewing, however, as it uses some very different instruments to make it happen.
Hat tip Tom Wright.
An evening pause: The history of this band (which I hadn’t known until I began putting this post together) is very interesting, as it mirrors the overall cultural disaster of the 1960s. The finale is especially depressing:
Marc Bolan and his girlfriend Gloria Jones spent the evening of 15 September 1977 drinking at the Speakeasy and then dining at Morton’s club on Berkeley Square, in Mayfair, Central London. While driving home early in the morning of 16 September, Jones crashed Bolan’s purple Mini 1275GT into a tree (now the site of Bolan’s Rock Shrine), after failing to negotiate a small humpback bridge near Gipsy Lane on Queens Ride, Barnes, southwest London, a few miles from his home at 142 Upper Richmond Road West in East Sheen. While Jones was severely injured, Bolan was killed in the crash, two weeks before his 30th birthday.
Bolan’s death ended the band. Steve Peregrin Took died from asphyxiation from a cocktail cherry after his throat was numbed from his use of morphine and magic mushrooms in 1980, Steve Currie also died in a car crash, in 1981; Mickey Finn succumbed to illness in 2003. Peter ‘Dino’ Dines died of a heart attack in 2004.
Regardless, they created good music, for a short time.
Hat tip Jim Mallamace.
An evening pause: Left to right: Kathy, Peggy, Janet, and Dianne. From a 1960s Lawrence Welk show.
Listen to the words. They express the hope and dreams of the 1960s.
Hat tip Jim Mallamace.
An evening pause: Performed live at the Temple of Olympian Zeus in Athens on June 28, 2001.
Hat tip Edward Thelen.
An evening pause: From a recent live performance. I’ve posted this song before, sung by others, but not surprisingly, the best version is still performed by the originals.
I also think of this verse today whenever I read of the insane craziness going on in the political world:
And in the naked light I saw
Ten thousand people, maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never share
No one dared
Disturb the sound of silence
Hat tip Peter Fenstermacher.
An evening pause: From Julie Andrews 1971-72 television show. Remember, they put this together for a weekly show. No CG. No editing. Just two performers performing, impeccably.
An evening pause: Hat tip Edward Thelen, who writes, “A brief tour of the Jeremiah O’Brien engine room (an operational Liberty Ship) and other San Francisco sights. The narrator mentions the degaussing coils that they started to use on ships during WWII to prevent magnetic mines from sinking them. The slight of hand is especially good; I think I figured it out. There was a time, before the 1980s, when the passengers helped to turn the cable cars.”
I like these comments by the videographer at his youtube website: “This WW2 Liberty ship only took 50 days to build! Vid includes random shots between getting pissed on by a homeless dude and avoiding that guy wearing nothing but a gold sequined sock.” Well, no one should be surprised. This is in fascist California.
An evening pause: The song should immediately be familiar, though I doubt most people today will know of the performers who wrote it.
Hat tip Jim Mallamace, who writes, “This performance is from 1959, an era when performers wore ties to show respect to their audience. One must wonder how performers show respect to their audience, these days–or even if it’s an issue.”
An evening pause: Granted, it is hokey 1960s television staging, but the song and performance are nice.
Hat tip Edward Thelen.
An evening pause: What makes this music video appealing is the cartoon, which recreates the style of Hollywood’s early 1930s black & white cartoons.
Hat tip Jim Mallamace.
As always, I welcome suggestions for Evening Pauses. If you think you have something and have not emailed me any suggestions previously, mention in a comment that you want to suggest something. Do not post the link to the video. I will contact you myself.
An evening pause: This talk was given in October 2016, so the speaker, Bret Copeland, readily admits with great humor that he is describing something that no longer happens. Nonetheless, there will come a time when this will be done again, by vehicles better made and more often used. It is important to know how it was done.
Hat tip Edward Thelen.
An evening pause: Performed in 1957 on Cole’s short-lived television show. Originally written by George and Ira Gershwin for their 1930 Broadway musical, Girl Crazy, which also made Ginger Rogers a star.
Hat tip Jim Mallamace.
An evening pause: The speaker is paleoanthropologist Genevieve von Petzinger, who has focused on compiling a database of the various symbols used by prehistoric cave artists, and suspects, because there are surprisingly so few symbols over a very long time period, that they represent the first glimmers of abstract writing, in a very primitive form.
Hat tip Jim Mallamace.
An evening pause: Arranged for 8 (!) pianos. From the youtube webpage:
2 successive performances of Ludwig van Beethoven’s Turkish March from “Die Ruinen von Athen”, arranged by Richard Blackford for 8 pianos. Played by Gina Bachauer, Jorge Bolet, Jeanne-Marie Darré, Alicia De Larrocha, John Lill, Radu Lupu, Garrick Ohlsson and Bálint Vázsonyi at a Gargantuan Pianistic Extravaganza in London, 1974.
Please note that the 2nd performance is NOT a shredding video – these great pianists were actually playing what you hear!
Hat tip Jim Mallamace.
An evening pause: For tonight, a poem, one that I think all politicians should consider deeply as they try to establish their “legacy.”
Hat tip Jim Mallamace.
An evening pause: “How does a person deal with the unfairness of life? The only way you can do it is face it, head on.”
