The words of those government officials who falsely blamed the Benghazi terrorist attack on an obscure YouTube trailer, and were then willing to abandon the First amendment to defend their lies.
The words of those who falsely blamed the Benghazi terrorist attack on an obscure YouTube trailer, and were then willing to abandon the First Amendment to defend their lies.
Yesterday’s dramatic congressional testimony about the deadly Sept. 11, 2012 terrorist attacks on U.S. interests in Benghazi, Libya convincingly corroborated what was widely reported within days of the attack: that senior American officials on the ground knew immediately, despite the Obama administration’s storyline to the contrary, that the assault did not arise out of a “spontaneous” demonstration outside the U.S. Consulate in protest of an obscure YouTube trailer of a homemade anti-Islam movie called Innocence of Muslims.
Falsely assessing partial blame for the violence on a piece of artistic expression inflicted damage not just on the California resident who made it—Nakoula Basseley Nakoula is currently serving out a one-year sentence for parole violations committed in the process of producing Innocence—but also on the entire American culture of free speech. In the days and weeks after the attacks, academics and foreign policy thinkers fell over themselves dreaming up new ways to either disproportionately punish Nakoula or scale back the very notion of constitutionally protected expression.
The article then shows us who in American politics was willing to abandon freedom of speech for political reasons. If we have any courage, we should throw these words back in their face again and again and again and again.
The words of those who falsely blamed the Benghazi terrorist attack on an obscure YouTube trailer, and were then willing to abandon the First Amendment to defend their lies.
Yesterday’s dramatic congressional testimony about the deadly Sept. 11, 2012 terrorist attacks on U.S. interests in Benghazi, Libya convincingly corroborated what was widely reported within days of the attack: that senior American officials on the ground knew immediately, despite the Obama administration’s storyline to the contrary, that the assault did not arise out of a “spontaneous” demonstration outside the U.S. Consulate in protest of an obscure YouTube trailer of a homemade anti-Islam movie called Innocence of Muslims.
Falsely assessing partial blame for the violence on a piece of artistic expression inflicted damage not just on the California resident who made it—Nakoula Basseley Nakoula is currently serving out a one-year sentence for parole violations committed in the process of producing Innocence—but also on the entire American culture of free speech. In the days and weeks after the attacks, academics and foreign policy thinkers fell over themselves dreaming up new ways to either disproportionately punish Nakoula or scale back the very notion of constitutionally protected expression.
The article then shows us who in American politics was willing to abandon freedom of speech for political reasons. If we have any courage, we should throw these words back in their face again and again and again and again.