Shocking Blue – Venus
An evening pause: Performed live 1970. A real taste of the sixties, even if this took place just after the decade ended.
Hat tip Doug Johnson.
An evening pause: Performed live 1970. A real taste of the sixties, even if this took place just after the decade ended.
Hat tip Doug Johnson.
An evening pause: This performance by Royal Ballet and Opera company took place in 2015.
Hat tip Judd Clark.
An evening pause: No visuals, no instruments, just their voices singing to heaven.
Hat tip Mike Nelson.
An evening pause: Taken from the album Viva Elvis, which is the soundtrack remix of Presley’s Cirque du Soleil show. From the youtube webpage:
Viva Elvis features new backing instrumentation on each track in an attempt to modernize the arrangements. This has met with a mixed critical response, with some reviewers praising the production quality and others opining that Elvis’s music is best left untampered with.
Hat tip Cotour.
An evening pause: The camera soon focuses on this couple, whose performance eventually won the competition, which apparently was their tenth victory. As noted in the comments, “You don’t understand exactly how great they are until you see them in a roomful of other people dancing the same dance.”
Hat tip Judd Clark.
An evening pause: From the sound track for the 2000 movie Gladiator. Performed live c2012.
Hat tip Ferris Akel.
An evening pause: Performed live 1989.
Hat tip Diane Zimmerman, who felt it was time Behind the Black had a pause by Swift, a performer whose work I have been completely unfamiliar with.
An evening pause: Another unusual instrument producing great music, this time on a “bamboo Chapman Stick“. Performed live 2009.
Enjoy your weekend!
Hat tip Cotour.
An evening pause: Performed live 2017. And yes, that is a real instrument, using “a series of glass bowls or goblets graduated in size to produce musical tones by means of friction.” What is even more interesting is that it was invented by Benjamin Franklin in 1761.
Hat tip Judd Clark.
An evening pause: From the peak of “art rock” in the 1970s. Performed live 1975.
Hat tip Diane Wilson.
An evening pause: Mischa Maisky on the cello, backed by the Verbier Festival Chamber Orchestra. Performed live 2015.
Hat tip Judd Clark.
An evening pause: Performed live 2015. Stay with it. Though the opening is less appealing, it gets far better.
Hat tip Judd Clark.
An evening pause: This “music” video intentionally illustrates why I prefer live performances over most “official” music videos that show a fake visual story under the music, as if that story and the music have something to do with each other, when they never really do. This video instead shows us what the music video would sound like if you focused instead on this fake story. Quick funny at times.
Hat tip Wayne DeVette, who writes, “Great concept! What happens when you take a Music Video and de-emphasize the music & band performance, and concentrate on the story being told in the background?”
An evening pause: Performed live on television 1975. Above these guys are musical showmen.
Hat tip Wamphyr.
An evening pause: Performed live c2016. The Peter Gunn showed aired in the late 1950s.
Hat tip Don Carrera.
An evening pause: Performed live c2019. I have started the embed after introductions. If you want to see it all, click to begin at the beginning.
Hat tip Doug Johnson.
An evening pause: Performed on French television in 1966. I suspect they are lip-synching to the record album, but the editing makes this hard to confirm.
Hat tip Diane Zimmerman.
An evening pause: From Peer Gynt, and performed by the Iceland Symphony Orchestra in 2019.
Hat tip Judd Clark.