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Readers! A November fund-raising drive!

 

It is unfortunately time for another November fund-raising campaign to support my work here at Behind the Black. I really dislike doing these, but 2025 is so far turning out to be a very poor year for donations and subscriptions, the worst since 2020. I very much need your support for this webpage to survive.

 

And I think I provide real value. Fifteen years ago I said SLS was garbage and should be cancelled. Almost a decade ago I said Orion was a lie and a bad idea. As early as 1998, long before almost anyone else, I predicted in my first book, Genesis: The Story of Apollo 8, that private enterprise and freedom would conquer the solar system, not government. Very early in the COVID panic and continuing throughout I noted that every policy put forth by the government (masks, social distancing, lockdowns, jab mandates) was wrong, misguided, and did more harm than good. In planetary science, while everyone else in the media still thinks Mars has no water, I have been reporting the real results from the orbiters now for more than five years, that Mars is in fact a planet largely covered with ice.

 

I could continue with numerous other examples. If you want to know what others will discover a decade hence, read what I write here at Behind the Black. And if you read my most recent book, Conscious Choice, you will find out what is going to happen in space in the next century.

 

 

This last claim might sound like hubris on my part, but I base it on my overall track record.

 

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Frederick Caper – Midnight, the stars, and you

An evening pause: A nice rendition, with appropriate visuals, of a 1930s song. It also happens to be John Batchelor’s theme song.

Hat tip Charlie Tutino.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon or from any other book seller. If you want an autographed copy the price is $60 for the hardback and $45 for the paperback, plus $8 shipping for each. Go here for purchasing details. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

11 comments

  • Ian C.

    Nice one. You’ll find plenty similar when you search for “The Shining” and Gold Room

    https://www.youtube.com/results?search_query=the+shining+gold+room+music

  • wayne

    “When that Man is Dead and Gone” (Irving Berlin)
    – Al Bowlly & Jimmy Mesene, The Radio Stars With Two Guitars
    https://youtu.be/o-zfPq7K_54
    3:01

    [Bowlly’s last recording session, April 1941.]

  • Col Beausabre

    You naughty boy! You’re giving away John’s secrets. He never tells people what the musical selections he plays are. BTW, his actual theme song must be another artist, since he introduces with “Here’s Al” (and he says it isn’t Jolson)

  • Gary

    Col,

    Here’s the Al Bowlly version that John uses. I suspect it was a song which was special to his Mom and Dad.

    In doing some background, Bowlly is credited with the innovation of the “crooning” singing style.

    https://youtu.be/3AkiIGBal50

  • Jeff Wright

    Come and play with us.

  • Col Beausabre

    Thanks, Gary

    “I suspect it was a song which was special to his Mom and Dad.”

    His mom was Iranian. Not exactly your usual housewife in a Mainline town outside Philadelphia in the Forties.

  • wayne

    If anyone wants to know more about John Batchelor, I highly recommend this:

    “Q&A with Novelist & Radio Talk Show Host, John Batchelor”
    https://www.c-span.org/video/?200850-1/qa-john-batchelor
    58:30
    (embedded player)

    a few great tidbits:

    “I also used a song that became my theme song, accidentally. It never occurred to me that you could have a theme song being the last moments of the show.”
    And I played it for a long time before I learned that Al Bowlly, the vocalist, had been reading a Western thriller in a hotel room in London. And it’s sad, because he died, but he died in the Blitz. A bomb fell on the building and killed him.”

    “My father and mother – my father was born in Indiana. He’s a Hoosier. My mother was born in New York, in Yonkers. And they met and married after the Second War, in the war. They met because of the war. They both served in the United States Army.”
    “Father saw a deal of combat and survived accidentally, luckily, thankfully. And mother was in the Women’s Auxiliary Corps, the WACs, at Fort Benning in the Army school. And they married right after the war, and I came along several years later.”

    “Mother – my mother is another flavor that I didn’t appreciate growing up and I came to later on. My mother was born of the Assyrian community, which we now know as Iranians, Persians. She thought of herself as Persian. And I learned from her and her sisters about this strange, faraway place that they had all left as children, or their parents had left as children, and come through Ellis Island.”
    “And I never paid attention to it. And I didn’t – I knew it was odd, and I knew it had this other language, but I didn’t listen. And mother was in the ’50s keen to Americanize us. She didn’t want us being half anything. She wanted us being American.”

  • Edward

    Ah, Al Bowlly. Wrote hits. Died in the blitz.

  • wayne

    Edward–

    Ref Al Bowlly:
    from the Find A Grave narrative…..

    “The outbreak of the Second World War curtailed most band work and in 1940 he formed “The Radio Stars with Two Guitars” with ex-Nat Gonella singer/guitarist Jimmy Mesene. Their last date was at the Rex Theatre in High Wycombe. After the show, Al returned to London to see his doctor as his throat had been troubling him (he’d previously had surgery in the States). He returned to his flat in Dukes Court, Piccadilly as London was suffering one of its heaviest air raids. Instead of taking cover in the air raid shelter, Al was sitting up in bed reading a cowboy book. Outside, a German bomb came silently down and exploded in the street outside Al’s window. After the “all-clear” had been signalled, the caretaker made his rounds to see that everyone was all right. When he entered Al’s apartment, he found him dead in bed, killed outright by the blast from the bomb.”

  • Gary

    Wayne

    Thanks.

    Col,

    That WW2 background was why I guessed John’s parents had gravitated to that song. The crooners and the memories they stirred for pre-war America were strong medicine for the souls of the folks in that fight.

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