Glenn Miller Orchestra Scandinavia – American Patrol
An evening pause: Americans once had brass, and Glenn Miller’s music captured it, both in instruments and in sound. This has a happy defiant exuberance that now seems lost.
Hat tip Tom Biggar.
Readers!
My annual February birthday fund-raising drive for Behind the Black is now over. Thank you to everyone who donated or subscribed. While not a record-setter, the donations were more than sufficient and slightly above average.
As I have said many times before, I can’t express what it means to me to get such support, especially as no one is required to pay anything to read my work. Thank you all again!
For those readers who like my work here at Behind the Black and haven't contributed so far, please consider donating or subscribing. My analysis of space, politics, and culture, taken from the perspective of an historian, is almost always on the money and ahead of the game. For example, in 2020 I correctly predicted that the COVID panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Every one of those 2020 conclusions has turned out right.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
Brings back memories of cramming into packed auditoriums, even sitting on the concrete floor of a large former WWII army base auditorium (that was for Stan Kenton’s band, holy cow did we baby boomers truly ROCK that night, those guys were smokin’ hot), for the Big Bands that would tour our little cow towns on the California coast. Big Band was such a relief from the daily grind of adolescent whining and wailing and grousing that dominated the music scene, mostly three-beat two-chord missives requiring little skill or thought. Big Band, on the other hand — those guys were working men.
That music was why we won WWII. It was grown-up music, sophisticated, gutsy, and eloquent as hell. That was that generation. But as the old potheads say, “Time keeps on slippin’ slippin’ slippin’ … into the future ….” !!!! {^)