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Readers! A November fund-raising drive!

 

It is unfortunately time for another November fund-raising campaign to support my work here at Behind the Black. I really dislike doing these, but 2025 is so far turning out to be a very poor year for donations and subscriptions, the worst since 2020. I very much need your support for this webpage to survive.

 

And I think I provide real value. Fifteen years ago I said SLS was garbage and should be cancelled. Almost a decade ago I said Orion was a lie and a bad idea. As early as 1998, long before almost anyone else, I predicted in my first book, Genesis: The Story of Apollo 8, that private enterprise and freedom would conquer the solar system, not government. Very early in the COVID panic and continuing throughout I noted that every policy put forth by the government (masks, social distancing, lockdowns, jab mandates) was wrong, misguided, and did more harm than good. In planetary science, while everyone else in the media still thinks Mars has no water, I have been reporting the real results from the orbiters now for more than five years, that Mars is in fact a planet largely covered with ice.

 

I could continue with numerous other examples. If you want to know what others will discover a decade hence, read what I write here at Behind the Black. And if you read my most recent book, Conscious Choice, you will find out what is going to happen in space in the next century.

 

 

This last claim might sound like hubris on my part, but I base it on my overall track record.

 

So please consider donating or subscribing to Behind the Black, either by giving a one-time contribution or a regular subscription. I could really use the support at this time. There are five ways of doing so:

 

1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.

 

2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation. Takes about a 10% cut.
 

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Hope and Cagney dancing

An evening pause: From the 1955 Bob Hope film, The Seven Little Foys, with James Cagney playing George M. Cohan. Neither man is remembered for their dancing, but from this scene you wouldn’t know it.

Hat tip Tom Biggar.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon or from any other book seller. If you want an autographed copy the price is $60 for the hardback and $45 for the paperback, plus $8 shipping for each. Go here for purchasing details. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

5 comments

  • Dick Eagleson

    Hope probably danced, at least a little, in more of his pictures than Cagney did, but Cagney was certainly memorable in several Warners musicals, especially ‘Yankee Doodle Dandy.’ I regard Cagney as the greatest performer in the history of American film because he was not only a gifted comedic and dramatic actor, but also a first-rank singer and dancer. Nobody did all that as consistently well as Cagney did.

  • Phil Berardelli

    In my book, “Phil’s Favorite 500,” which I’m always shamelessly promoting and Bob, bless him, mentions favorably, I devoted a chapter to him for some of the reasons you stated. It’s called “Incomparable Cagney.”

  • Dick Eagleson

    Looked at your TOC on Amazon. Your tastes and mine seem to line up better than 90%. A lot of good, and less well-known, Jimmy Stewart pictures on your lists, notably ‘Strategic Air Comand’ and ‘No Highway in the Sky.’ The aerial cinematography and special effects in the former are arguably the best of the pre-CGI era. The latter is a particular gem and doesn’t appear much on free TV nor is it easy to find on disc. For whatever it may be worth, I think Jimmy Stewart is just behind Cagney on the list of great American film actors. Good to see some of Cagney’s lesser-known work on your lists too, especially ‘The Gallant Hours.’ I became convinced of Cagney’s place atop the pyramid of great American actors 40-odd years ago when I was attending a multi-week-long Warner Bros. festival at a revival house (remember revival houses!) in L.A. On consecutive nights I saw ‘Yankee Doodle Dandy’ and ‘White Heat.’ Two more dissimilar performances it would be hard to imagine, but both were all-Cagney, all-out and all-perfection.

  • Phil Berardelli

    Right on, Dick. I’m a great admirer of Stewart’s as well. Though the melodrama is stodgy in “SAC,” the aerial sequences are majestic, scored by Victor Young, who did “Around the World in 80 Days.” Remember this scene? https://www.youtube.com/watch?v=VGjyH2ulsCk

  • Edward

    Speaking of unusual, it wasn’t only that they weren’t known for their dancing, but even though Hope was the famous comedian, in this scene he gave most of the big laughs to Cagney.

    Dick almost pointed out that Cagney’s first dance, in this scene, was a reprise of one of his dances from “Yankee Doodle Dandy.”

    I can see which book I will ask Santa for, this year. I, too, looked at the TOC, and Phil includes some wonderful yet little-known gems, such as “49th Parallel,” “Diva,” and “Love Me Tonight.”

    A few years ago, someone pointed me to the scene linked by Phil, above. It is rare that modern directors spend that much time showing the majesty of what is happening. They seem to want to move on with the plot more than give us a sense of being there. Hitchcock and Leone also used a slower pace to good effect.

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