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Readers!

 

My July fund-raising campaign to celebrate the fifteenth anniversary since I began Behind the Black is now over. I want to thank all those who so generously donated or subscribed, especially those who have become regular supporters. I can't do this without your help. I also find it increasingly hard to express how much your support means to me. God bless you all!

 

The donations during this year's campaign were sadly less than previous years, but for this I blame myself. I am tired of begging for money, and so I put up the campaign announcement at the start of the month but had no desire to update it weekly to encourage more donations, as I have done in past years. This lack of begging likely contributed to the drop in donations.

 

No matter. I am here, and here I intend to stay. If you like what I do and have not yet donated or subscribed, please consider supporting my work here at Behind the Black. You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:

 

1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.

 

2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
 

3. A Paypal Donation or subscription:

 

4. Donate by check, payable to Robert Zimmerman and mailed to
 
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652

 

You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.


Movies before the code

An evening pause: I had doubts about posting this initially, not because I’m a prude but because, as I wrote to Phil when he sent me this suggestion, “What is the point? Watching three minutes of 1930s girls taking off their robes to reveal their underwear? I’m not sure that is my goal with my evening pauses.”

But then I thought, why not? The compilation definitely illustrates the differences and similarities between then and now. What was risque then is almost innocent today. And at the same time, what is interesting in terms of sex then is not much different than what is interesting today. Sex still sells. Humans remain human. And Valentine’s Day is tomorrow.

Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon or from any other book seller. If you want an autographed copy the price is $60 for the hardback and $45 for the paperback, plus $8 shipping for each. Go here for purchasing details. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

3 comments

  • Don Major

    It was good to see, in the middle of all this, a (too) brief appearance by Betty Boop! :-)

  • D.K. Williams

    Must be 70+ to view

  • Edward

    The “Maltese Falcon” that we all know and love is a remake from a pre-code 1931 version. It is a rare example of a remake being better than the original. A promiscuous Sam Spade, in the original, takes Miss Wonderly into the kitchen to strip-search her for the missing bill. In the Humphrey Bogart/Mary Astor remake, Spade trusts the girl to have not taken it. Although we lose seeing her in a petticoat, we see a better bond between the two characters, making for a better ending and a better story.

    To paraphrase Rick in “Casablanca:” the petticoat of a girl don’t amount to a hill of beans in a classic movie.

    Sex may sell tickets, but good stories make classic favorites.

Readers: the rules for commenting!

 

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