Sir David Attenborough admits to shooting fake polar bear footage for a BBC documentary
Another global warming activist who fakes it: Sir David Attenborough admits to shooting fake polar bear footage for a BBC documentary.
What’s worse is that he sees nothing wrong with what he did!
But wait, there’s more! The BBC, also in the tank for global warming, has also now admitted that a great deal of the footage in its nature documentaries is staged.
In a further blow to wildlife fans, corporation bosses yesterday confessed that staging footage was standard practice in natural history programmes. They insisted such editing tricks were necessary to create the documentaries, and added the programme met the expected editorial standards.
A spokesman said: “While the great majority of footage for Frozen Planet is filmed entirely in the wild, on occasion certain sequences need to be filmed in controlled conditions – otherwise we wouldn’t be able to bring these stories to our audiences. “This type of filming is standard practice across the industry when creating natural history programmes.”
Another global warming activist who fakes it: Sir David Attenborough admits to shooting fake polar bear footage for a BBC documentary.
What’s worse is that he sees nothing wrong with what he did!
But wait, there’s more! The BBC, also in the tank for global warming, has also now admitted that a great deal of the footage in its nature documentaries is staged.
In a further blow to wildlife fans, corporation bosses yesterday confessed that staging footage was standard practice in natural history programmes. They insisted such editing tricks were necessary to create the documentaries, and added the programme met the expected editorial standards.
A spokesman said: “While the great majority of footage for Frozen Planet is filmed entirely in the wild, on occasion certain sequences need to be filmed in controlled conditions – otherwise we wouldn’t be able to bring these stories to our audiences. “This type of filming is standard practice across the industry when creating natural history programmes.”