Taxi -Jim Spikes Louie’s Coffee
An evening pause: From one of television’s best comedy shows. Note the number of people from this show who became very big movie stars.
Hat tip Cotour.
Tag: entertainment
Hanson – MMM Bop
Kurt Vonnegut – the Shapes of Stories
An evening pause: There is an old saying that all story plots can be summed into one of the following three categories: Man vs Man, Man vs Nature, and Man vs Himself.
Vonnegut gives us a far better summary.
Hat tip Mike Nelson.
Foreigner – Waiting For A Girl Like You
Deniece Williams – Let’s Hear It for the Boy
Anne Reburn – Mr. Sandman
Leroy Anderson – Syncopated clock
An evening pause: A very well known piece of music from one of the most popular composers of the post-World War II era that you’ve probably never heard of, Leroy Anderson.
Any New Yorker who grew up in the 1960s will immediately recognize it as the theme music used for CBS’s afternoon and late night movie presentations, where they would squeeze two hour movies into 90 minutes slots that were really only about 60 minutes after commercials. (My first impressions as a child of many of Hollywood’s great movies was noticeably distorted because of this.)
Hat tip Diane Zimmerman.
Heart & the Royal Philharmonic Orchestra – Alone
Moranbong Band – Csardas & Gypsy Airs
An evening pause: Hat tip Jim Mallamace, who notes,
Talk about an eclectic Evening Pause. “Csardas” was written by Italian, Vittorio Monti, in the early 20th century. “Gypsy Airs” was composed by Spaniard, Pablo de Sarasate, in the late 19th century. Both compositions are inspired by Hungarian music. And the orchestra is North Korean.
The band was organized by North Korea’s Supreme Leader, Kim Jong Un. This performance was from 2012. From the link this interesting tidbit:
In December 2015, Kim Jong-un sent the band to perform in a series of shows in Beijing to improve relations between China and North Korea; these would have been the band’s first performances outside of North Korea. However, the band left Beijing on a scheduled flight to Pyongyang only a few hours before their performance was scheduled. China’s Xinhua news agency stated that all of the band’s performances had been cancelled due to “communication issues at the working level.” The Korea Herald reported that North Korea had cancelled the tour because China had requested that North Korea’s missiles should not be shown during performances.
Don Williams – Good Ole Boys Like Me
The Boomtown Rats – I Don’t Like Mondays
Vikki Carr – It Must Be Him
Alizee – J`en Ai marre
An evening pause: Performed live 2004, when such joyous concerts were possible.
Hat tip Jim Mallamace.
Hilary Hahn – Mendelssohn Violin Concerto in E minor, Op. 64
Today’s blacklisted American: Anyone in Hollywood who is white
A banned race in Hollywood.
Blacklists are back and Hollywood’s got ’em: Warner Brothers has decided its next Superman will be super-woke and must star a black Superman.
More important, the studio has decided that in order to make the film the “super-woke” concept they envision it must only hire blacks to make it. Not only has the studio hired a black writer to write the script, it is insisting that the director and crew must be black also.
The Hollywood Reporter proudly makes note of the fact that they are looking for only black people to do it all, and are looking for a black director. The piece unabashedly excludes the film’s producer J.J. Abrams as a candidate purely because it would be “tone-deaf.”
Nor is that all. Hollywood also wants the focus for all its future superhero films to be “diversity” and racial oppression rather those evil and quaint old concepts of “truth, justice, and the American way.”
» Read more
A banned race in Hollywood.
Blacklists are back and Hollywood’s got ’em: Warner Brothers has decided its next Superman will be super-woke and must star a black Superman.
More important, the studio has decided that in order to make the film the “super-woke” concept they envision it must only hire blacks to make it. Not only has the studio hired a black writer to write the script, it is insisting that the director and crew must be black also.
The Hollywood Reporter proudly makes note of the fact that they are looking for only black people to do it all, and are looking for a black director. The piece unabashedly excludes the film’s producer J.J. Abrams as a candidate purely because it would be “tone-deaf.”
Nor is that all. Hollywood also wants the focus for all its future superhero films to be “diversity” and racial oppression rather those evil and quaint old concepts of “truth, justice, and the American way.”
» Read more
Devo – Uncontrollable Urge
Alejandro Aguanta – Zorba’s Dance
An evening pause: The main them form Mikis Theodorakis’ score from the movie Zorba the Greek (1964).
Hat tip Tom Biggar.
Elvis Costello – She
4-Mation: 3D Zoetropes
An evening pause: I honestly don’t understand how this works, and the video doesn’t really explain it. It is quite amazing nonetheless. More information here if you want to dig about to figure it out.
Hat tip Cotour.
Olga Jegunova – Mozart’s Piano Sonata No 11 in A Major K331
An evening pause: How about we end the week with some beautiful music played beautifully by a beautiful woman.
Hat tip Tom Biggar.
Mattias Lindström (Swebounce) – Robot chair
Peggy March – I Will Follow Him
An evening pause: This live television performance from sometime in the 1960s, and was almost certainly performed by lip-sync to the recorded album. That audio for this video has been remastered.
Hat tip Tom Biggar.
Sabine Devieilhe & Marianne Crebassa – Duo des fleurs (Flower Duet)
Utopia
An evening pause: A short film that describes the world our children and culture are working hard to give us.
June Foray & Bill Scott – Rocky & Bullwinkle
An evening pause: For those who grew up in the 1960s. Everyone else is sadly deprived.
Hat tip Tom Biggar.
Ian Berry – Painting with denim
An evening pause: While there is a bit of barnum in this guy’s work, the final “paintings” are quite astonishing.
Hat tip Mike Nelson.
Jethro Tull – Locomotive Breath
Willie Nelson – Hit Medley
An evening pause: Performed live in 1965. This Willie Nelson performance shows him in his early days, before the beard and long hair and cowboy persona. His voice has also not mellowed into what would later become a truly unique sound.
Hat tip Tom Biggar.