An evening pause: Performed live 1985.
Hat tip Judd Clark.
Readers: I am in need of evening pause suggestions. If you’ve sent me suggestions in the past you know the drill. More suggestions are welcome! If you haven’t and want to suggest something, say so in the comments below, but DON’T provide the link to your suggestion or mention it. I will contact you to send you the guidelines so you can send it to me to schedule.
An evening pause: From the 1942 film Casablanca, still one of the greatest movies ever made.
Hat tip Wayne DeVette.
An evening pause: From the 1956 film, Meet Me in Las Vegas. The dancing is great, but I really think Sammy Davis makes the piece with his singing.
Hat tip Judd Clark.
An evening pause: The Rodgers and Hammenstein song from The Sound of Music, performed live on the Ed Sullivan Show, 1959.
Makes an interesting contrast with yesterday’s pause.
Hat tip Diane Zimmerman.
An eveing pause: More young talent. This is different in that he improvises his own piano version based on only hearing a portion of the original.
Hat tip Cotour.
An evening pause: Hat tip Mike Nelson, who adds, “by a group of kids that make me jealous as I never had ANY musical aptitude whatever.”
An evening pause: Performed live 2025, and beautifully directed by Gibbons as well.
Hat tip Mike Nelson.
An evening pause: Performed live 2014 by the Beethoven Academy Orchestra with Sara Andon on the flute.
Some movies are made special because of their score, and I think this applies to the 1962 film, To Kill a Mockingbird. It is a superb work of art, but it rises above many comparable films due to the music that Elmer Bernstein wrote for it. His suite only gives a hint of its effectiveness, in the movie.
An evening pause: For my birthday, a repost of a 2010 evening pause of one of my favorite Broadway songs, from Stephen Sondheim’s Pacific Overtures, which I only recently learned was his favorite song as well.
It tells the story of a significant moment in history, the moment when Japan’s leaders signed their first international treaty in 1852 with the United States, but from the point of view of outside witnesses. Its point is profound, that history is not just made by the leaders who sign the deals, but by every individual who makes up the whole of human society.
It’s the fragment, not the day
It’s the pebble, not the stream
It’s the ripple, not the sea
That is happening.
Not the building but the beam
Not the garden but the stone
Only cups of tea
And history
And someone in a tree.
An evening pause: From the 1944 film, Meet me in St. Louis. I posted this in July 2010 as one of the very first evening pauses. As I wrote then, “The last line of the song says it all, about life and love.”
Hat tip to Judd Clark, who suggested it, which convinced me it was time to post it again.
An evening pause: In 2017 I posted an evening pause of this band, when Daniela (on guitar) was 14 years old, Paulina (on drums) was 12 years old, and Alejandra (on bass guitar) was 9 yrs old. Today’s evening pause is from their 2023 tour in Mexico (where they are from), celebrating the band’s tenth anniversary. To put it mildly, they are a bit older.
Hat tip Matt Falk, who adds, “They are all adults now who’ve become one of the best live rock bands playing today, while still maintaining complete control of their career (a feat in itself).”
