The Cardigans – You’re The Storm

An evening pause: Hat tip Dan Morris.

Readers: I am in need of evening pause suggestions! If you’ve seen something on the web that you think would fit, note this fact as a comment below. Do NOT post a link to your suggestion. I will email you and schedule it.

And if you’ve suggested previously, please feel free to email me some new stuff! The guidelines:

1. The subject line should say “evening pause.”
2. Don’t send more than three in any email. I prefer however if you send them one email at a time.
3. Variety! Don’t send me five from the same artist. I can only use one. Pick your favorite and send that.
4. Live performance preferred.
5. Quirky technology, humor, and short entertaining films also work.
6. Search BtB first to make sure your suggestion hasn’t already been posted.
7. I might not respond immediately, as I schedule these in a bunch.
8. Avoid the politics of the day. The pause is a break from such discussion.

Fred Astaire & Ginger Rogers – Never Gonna Dance

An evening pause: We’ve had a lot of 1970s pop songs and dance recently. Here’s an example of one of the greatest movie dance numbers, from the 1936 movie Swing Time. Note how smooth and ballet-like it is, unlike the staccato and gymnastic styles that began to dominate dance after the 1960s.

Note also the remarkable lack of cuts. The dance is performed with only one cut, which means Astaire and Rogers had to get it perfect, the whole way through each of these two shots. It took 47 takes before they succeeded.

Mike Oldfield – The Source of Secrets

An evening pause: Actually, this is three pieces, “The Source of the Secrets,” “Secrets,” and “Far above the Clouds.”

Hat tip “t-dub” Tom Wilson.

I’d like one piece of feedback about this video. When you watch it embedded on Behind the Black, is the music interrupted by commercials? That happens when you watch on YouTube. I am curious it this happens when a song is embedded on another webpage.

Dean Martin & Rick Nelson – Rio Bravo

An evening pause: This medley of songs were performed as part of the Howard Hawks’ 1959 western Rio Bravo. The first song, “My rifle, pony, and me,” was actually adapted from the main theme by Dimitri Tiomkin from Hawks’ earlier classic, Red River (1948). When Diane and I were watching this recently, I recognized the music, but it took a while to figure out where I’d heard it before.

Both movies are examples of the kind of entertaining and rich films Hollywood used to produce, routinely.

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