Today’s blacklisted American: Cinderella, because cast was “too white”

Cinderella banned

They’re coming for you next: A theater company in Minnesota decided to cancel its production of the Rodgers & Hammerstein musical Cinderella because the cast was “too white.”

Chanhassen Dinner Theatres was planning to stage Rogers & Hammerstein’s classic play later this year but a director scrapped the show this week — slamming its lack of racial diversity, twincities.com reported.

“It was 98 percent white,” the theater’s director, Michael Brindisi, said of the show’s actors Wednesday. “That doesn’t work with what we’re saying we’re going to do.” Brindisi said he considered recasting but instead decided to put a self-inflicted spin on cancel culture — and “scrap this and start fresh with a clean slate.”

“Recasting” is a mealy mouthed word that really means he would have fired some white actors he had already chosen and replaced them with black actors. And the only reason he would be firing them is because of their skin color, since he had already done his auditions and decided that these people were qualified.
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Rogers and Hammerstein – Oklahoma!

An evening pause: From the 1955 movie, Oklahoma. This Broadway musical is one of the best examples of the fundamental differences between American culture and what preceded it. In the past, all music, drama, fiction, etc, revolved around telling the stories of the powerful, the nobility, the rulers, and the great. In the United States, “of the people, for the people, by the people,” literature, art, drama, and music has focused instead mostly on the lives and concerns of ordinary people. In this musical, for example, the story is about how two ordinary cowpokes decide to give up their roaming ways to settle down and become farmers, all for love. And in doing so, Rogers and Hammerstein end up also telling the story of the American west as it transitioned from the wild west of gold rush boom towns and cattle drive cowboys into a settled society of cities and families.

And the music and choreography is great too!

Hat tip Edward Thelen.

Richard Rogers – Edelweiss

An evening pause: From The Sound of Music (1965). The context: The Nazis have taken over Austria, and plan to arrest Captain Georg Ludwig von Trapp and his family at the end of this concert. This lovely song, Edelweiss, is initially sung by von Trapp as a farewell to his nation. As the song unfolds, however, it becomes instead a song of defiance against the Nazis, by the von Trapps and the audience.

Always, always, we must stand for freedom.