Want to see bigotry on display? Read this New York magazine article: Political Peroxide: Blonde privilege
Attributes associated with whiteness — light skin, narrow noses — have dominated American beauty ideals as long as there’s been such a thing. Which means that blondness has always been … charged: The ’50s gave us Doris Day, who once said that her only ambition ever had been to “be a housewife in a good marriage” (“Preordination had other plans”). To be blonde was to be a good American woman, pure of intention and heart — which implied also, of course, that to be a good American woman, pure of intention and heart, meant being blonde. Betty was blonde, Veronica was trouble. Ditto Sandy and Rizzo. Hitchcock liked to cast blondes because he said they made the best victims: “The color was virgin snow that shows up the bloody footprints.”
Fox News and Donald Trump have given blonde hair a new chapter: Now, blonde is the color of the right, for whom whiteness has become a hallmark. Over the past decade or so, as inclusiveness became the hallmark of Obama-era liberals, the left found feminist icons in Rachel Maddow, Samantha Power, and Michelle Obama, who make no apologies for their failure to fit traditional ideals. But #MAGA, Fox News America is a place where all the classic signifiers of privilege and wealth work on overdrive: country-club-issue blue blazers with brass buttons and khaki pants, and above all else, for women, that yellow-blonde, carefully tended hair — a dog whistle of whiteness, an unspoken declaration of values, a wink-wink to the power of racial privilege and to the 1980s vibe that pervades a movement led by a man who still believes in the guilt of the Central Park Five. During that Republican Preppy Handbook era, when Dynasty and Dallas were on TV, the type of conspicuous ostentation that would lead a real-estate developer to sheath his entire apartment in gold leaf was actually in vogue. Look at the movies: Jake’s girlfriend in Sixteen Candles with the lush swoop of thick, blonde locks that ended up stuck in a door (losing the boyfriend to a redhead of all things meant, literally, losing that luscious hair). Johnny, the villain of the Karate Kid films, had a decisive swoosh of blond hair that obscured his headband. We knew, the moment we saw that hair, that small, ethnic Daniel was up against more than another teenager, he was up against privilege itself. [emphasis mine]
Not only is this incredibly stupid, it reeks of hatred and bigotry. You have blond hair? You must associate with white supremacists. You choose to dye your hair blond? You must be a white supremacist!
Don’t be surprised when these leftwing progressive bigots take the next step and strongly suggest that we need a final solution to this problem of “whiteness,” that maybe we should round up all these evil whites so they can’t do society any harm anymore.
Please consider donating to Behind the Black, by giving either a one-time contribution or a regular subscription, as outlined in the tip jar below. Your support will allow me to continue covering science and culture as I have for the past twenty years, independent and free from any outside influence.
Your support is even more essential to me because I keep this site free from advertisements and do not participate in corrupt social media companies like Google, Twitter, and Facebook. I depend wholly on the direct support of my readers.
You can provide that support to Behind The Black with a contribution via Patreon or PayPal. To use Patreon, go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation. For PayPal click one of the following buttons:
If Patreon or Paypal don't work for you, you can support Behind The Black directly by sending your donation by check, payable to Robert Zimmerman, to
Behind The Black
c/o Robert Zimmerman
Cortaro, AZ 85652