Kabardinka Ensemble – Dance of the Black Sea Circassians
An evening pause: From the webpage:
A collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864.
The solo dances are especially hypnotic. There are also many elements that resemble Irish dance.
Hat tip Judd Clark.
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An evening pause: From the webpage:
A collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864.
The solo dances are especially hypnotic. There are also many elements that resemble Irish dance.
Hat tip Judd Clark.
Readers!
My annual February birthday fund-raising drive for Behind the Black is now over. Thank you to everyone who donated or subscribed. While not a record-setter, the donations were more than sufficient and slightly above average.
As I have said many times before, I can’t express what it means to me to get such support, especially as no one is required to pay anything to read my work. Thank you all again!
For those readers who like my work here at Behind the Black and haven't contributed so far, please consider donating or subscribing. My analysis of space, politics, and culture, taken from the perspective of an historian, is almost always on the money and ahead of the game. For example, in 2020 I correctly predicted that the COVID panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Every one of those 2020 conclusions has turned out right.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
There’s a lot of Cossack in that dance – unsurprising given its point of origin – as well as some elements reminiscent of reels and square dances, but you are right that much of it also resembles Irish step dance. The rhythm and melody of the music is also a lot closer to sounding Irish than it is to Russian or Middle Eastern norms. I guess if there can be black Irish there can be Black Sea Irish as well.