Readers!
 

Scroll down to read this post.

 

I am now running my annual July fund-raising campaign to celebrate the twelfth anniversary of the establishment of Behind the Black. For many reasons, mostly political but partly ethical, I do not use Google, Facebook, Twitter. These companies practice corrupt business policies, while targeting conservative websites for censoring, facts repeatedly confirmed by news stories and by my sense that Facebook has taken action to prevent my readers from recommending Behind the Black to their friends.

 

Thus, I must have your direct support to keep this webpage alive. Not only does the money pay the bills, it gives me the freedom to speak honestly about science and culture, instead of being forced to write it as others demand.

 

Please consider donating by giving either a one-time contribution or a regular subscription, as outlined in the tip jar below.

 

Regular readers can support Behind The Black with a contribution via paypal:

Or with a subscription with regular donations from your Paypal or credit card account:


If Paypal doesn't work for you, you can support Behind The Black directly by sending your donation by check, payable to Robert Zimmerman, to
 
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652

 

You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above. And if you buy the books through the ebookit links, I get a larger cut and I get it sooner.


Walt Disney’s MultiPlane Camera

An evening pause: This was filmed in 1957, and was almost certainly made to be shown as part of Disney’s weekly television show series for kids that began in 1954 and was one of television’s most popular shows in the 1960s. It describes one of the most important technical developments in animation, developed by Disney, until the arrival of computers.

To repeat: This was made for kids, yet it is thoughtful, entertaining, educational, and quite detailed in the information being conveyed. It treats its young audience with great respect and dignity.

I generally do not watch children’s shows today, but the few that I have seen have generally been quite shallow, overwrought, and would have insulted me, when I was a child. I don’t know if today’s kids would react the same today, because when I was a child Disney’s show was somewhat typical. I expected to be treated with respect. Today’s kids might not have that expectation.

Hat tip Wayne DeVette.

Conscious Choice cover

From the press release: In this ground-breaking new history of early America, historian Robert Zimmerman not only exposes the lie behind The New York Times 1619 Project that falsely claims slavery is central to the history of the United States, he also provides profound lessons about the nature of human societies, lessons important for Americans today as well as for all future settlers on Mars and elsewhere in space.

 
Conscious Choice: The origins of slavery in America and why it matters today and for our future in outer space, is a riveting page-turning story that documents how slavery slowly became pervasive in the southern British colonies of North America, colonies founded by a people and culture that not only did not allow slavery but in every way were hostile to the practice.  
Conscious Choice does more however. In telling the tragic history of the Virginia colony and the rise of slavery there, Zimmerman lays out the proper path for creating healthy societies in places like the Moon and Mars.

 

“Zimmerman’s ground-breaking history provides every future generation the basic framework for establishing new societies on other worlds. We would be wise to heed what he says.” —Robert Zubrin, founder of founder of the Mars Society.

 

Available everywhere for $3.99 (before discount) at Amazon, Barnes & Noble, and all ebook vendors, or direct from the ebook publisher, ebookit. And if you buy it from ebookit you don't support the big tech companies and I get a bigger cut much sooner.

4 comments

  • Ted

    If memory serves wasn’t this esentially the same system used in Mary Poppins when Dick VanDyke did his dance with the penguins?

  • Phil Berardelli

    The genius and painstaking effort required to produce animated features in the days before CGI (e.g., nearly 130,000 individual, hand-painted cells for a 90-minute feature) were supremely impressive. I once had the privilege of interviewing some of the Disney animators for their late-’80s release “The Black Cauldron.” They had been with the organization nearly half a century by then, but their enthusiasm and love of the medium remained undimmed.

  • John

    I remember seeing this on the weekly Walt Disney show. Probably in the 60’s, but that’s so long ago it all blends together.

  • Edward

    Walt Disney says, “The trick of the multiplane camera is movement.”

    Another trick is getting all the planes in focus at the same time. This requires depth of field, which is easily done with a pinhole camera or with a high F-stop. But this requires either more lighting on the object being filmed or more exposure time. As we can see in the video, they keep the small aperture open for a couple of seconds in order to get enough light through it.

Readers: the rules for commenting!

 

No registration is required. I welcome all opinions, even those that strongly criticize my commentary.

 

However, name-calling and obscenities will not be tolerated. First time offenders who are new to the site will be warned. Second time offenders or first time offenders who have been here awhile will be suspended for a week. After that, I will ban you. Period.

 

Note also that first time commenters as well as any comment with more than one link will be placed in moderation for my approval. Be patient, I will get to it.

Leave a Reply

Your email address will not be published.