An evening pause: Another reprise, this time from 2020. As I wrote then: “This song honoring Jesus I think really speaks of every child born on Earth, and how every parent should see them. As Wordsworth said, they come ‘trailing clouds of glory.'”
Did you know that your baby boy has walked where angels trod?
When you kissed your little baby then you kissed the face of god.
An evening pause: I posted this Judd Clark suggestion previously in December 2023, but Judd sent it to me again and I agree, it deserves a reprise. It reminds us that despite all the craziness that has happened in the world in the past half century, children still see wonderful things we have forgotten exist.
An evening pause: One of the most beautiful sections of Handel’s masterpiece, often missed because it is quiet and gentle in tone.
An evening pause: Words escape me.
Hat tip Diane Zimmerman.
An evening pause: Performed live 2013. I know this song is a bit over-played this time of year, but this performance brings a freshness to it well worth experiencing. And it is about what Christmas actually celebrates.
Hat tip Judd Clark.
An evening pause: Hat tip Mike Nelson.
An evening pause: Music by Hicham Chahidi.
As I watched this I could not help think once again of the Jewish saying that practically describes all Jewish holidays: “They tried to kill us. We won. Let’s eat!”
Hat tip Judd Clark.
An evening pause: As has become my own tradition, I always begin the Christmas/Hanukkah season’s evening pauses with this particular piece, because it not only speaks to both religions, it is amazingly beautiful to hear.
The video replays her singing the same thing three times. There is a good reason, as she almost appears to have begun singing as a lark, and the acoustics of the church astonish her. The repeats help bring out this amazing quality.
An evening pause: The official name is the Niland Geyser.
Hat tip Wayne DeVette.
An evening pause: Performed live 2010.
Hat tip John Jossy.
An evening pause:This website provides a quick summary of what is happening during the dance:
Nikiya’s epic “death” solo at the end of La Bayadère‘s second act is more than a test of stamina: It’s integral to the ballet’s plot. In it, Nikiya laments her doomed relationship with Prince Solor, rejoices upon receiving a basket of flowers she believes to be from him and collapses after being bitten by a snake hidden in the basket.
Hat tip Judd Clark, who adds, “The High Brahmin offers to give Nikiya the antidote to the poison if she will renounce her vow to Solor, but she chooses death rather than life without her beloved.”
An evening pause: Performed live 1992.
Hat tip Ferris Akel.
