Liberace – Malaguena

An evening pause: Stay with it, because after the music Liberace and Sammy Davis do some comedy and a dance number that is pure light-hearted entertainment, the kind of thing that was normal on television in the 1960s, and now seems so difficult for modern performers to achieve.

Hat tip Tom Biggar.

Fred Astaire & Ginger Rogers – They Can’t Take That Away From Me

An evening pause: Another movie pause tonight, this time showing the films themselves. This clip includes two performances of this song, from two different Astaire & Rogers films. The first, from Shall We Dance? (1937), has Astaire singing the song, knowing that the Rogers character is leaving him. Of course she ends up not going.

The second clip is from The Barkleys of Broadway (1949), their last film together and done after a split of ten years. They knew then this would be their last film, and now the words have a meaning far greater than the story in the film. When they exit at the end of this song, they know it is pretty much for the last time.

Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

Herb Alpert – Puttin’ on the Ritz

An evening pause: From the youtube page:

The Puttin’ On The Ritz music video is a creative collaboration between Alpert, artist Glenn Kaino and filmmaker Afshin Shahidi with choreographers Napoleon & Tabitha D’umo from So You Think You Can Dance and produced by Kerith Lemon. One long camera shot follows the lead dancer, Vincent Noiseux on a musical journey and features musicians Lani Hall, Bill Cantos, Hussain Jiffry and Michael Shapiro as well as corps dancers like Kherington Payne and others that have been seen on So You Think You Can Dance, America’s Best Dance Crew, Dancing with the Stars, This is It, Step Up and more.

Hat tip Tom Biggar, who notes that Albert makes some cameos, which I think includes both the bus driver and the bartender.

Jon David Kahn – American Heart

An evening pause: On this day of remembrance, this song seems fitting. And as the lyrics boldly state,

I won’t be made to ever feel ashamed
that I’m American made
I got American parts
I got American faith
In America’s heart
Go on, raise the flag
I got stars in in my eyes
I’m in love with her
And I won’t apologize.

The image that best reveals what America represents, as a messenger of freedom, is that photograph of the American soldier gently cradling a baby refugee from war. Or as said in the 1993 movie Gettysburg, “We are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.

Movimiento 7 – Song of Sea Exile

An evening pause: I really have no idea who is performing this, as the Vimeo link provided no information. Web searches also came up dry. I couldn’t even find the lyrics.

Nonetheless, it is beautiful, and worth more than one listen.

UPDATE: I have finally located a description of this work of art. It is called The Wound in the Water,
music by Kim André Arneson (2016); libretto by Euan Tait (August 2015). This is from part 2, “The cry of the exile” and is called “Song of the Sea Exile.” The lyrics:

I, the exile,
my heart burning,
my lost life
a terrible fire,
songs of loved ones
crying all around me.
Oh endless,
endless home, the sea.
Oh my missing,
I am listening,
yet your silence
cannot answer me.
There, we left
our singing unfinished,
and our lives now
fall into the endless sea.
This the broken
gift of love:
the exile calls,
remembered names.
What you were
scorched on me,
your wounded names
sung to the endless sea.
Waves like voices
roar around you:
we’re not silenced,
but cry out like the
sea.
Your anger,fiery, living
is like love
that bleeds
like the endless sea.
Oh our exile,
torn by love,
singing words
you can no longer sing,
where’s the shores,
the harbour, the horizon,
wanderer,
calling to the endless sea
calling to the endless sea?

Hat tip Edward Thelen.

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