They’re coming for you next: The global warming activist crowd is now demanding that a documentary about the green movement by leftist Michael Moore be censored, removed from any venue so that no one can see it.
The film, Planet of the Humans, was released on the eve of Earth Day last week by its producer, Michael Moore, the baseball cap-wearing documentarian known for Fahrenheit 9/11 and Bowling for Columbine. Describing itself as a “full-frontal assault on our sacred cows”, the film argues that electric cars and solar energy are unreliable and rely upon fossil fuels to function. It also attacks figures including Al Gore for bolstering corporations that push flawed technologies over real solutions to the climate crisis.
Planet of the Humans has provoked a furious reaction from scientists and campaigners, however, who have called for it be taken down. One distributor, Films for Action, temporarily took down the film after describing it as “full of misinformation”, though they later reinstated it, saying they did not want accusations of censorship to give the film “more power and mystique than it deserves.”
I have zero sympathy for Moore himself, as he has called for similar censorship of conservatives and scientists whose opinions or conclusions he doesn’t like. However, this effort to censor him, a star in the leftist firmament, illustrates well the totalitarian nature of the left and the global warming crowd. It is the same approach revealed in the climategate emails, where Michael Mann and other global warming scientists teamed up to try to get people fired and careers ruined because those individuals expressed skepticism about human-caused global warming.
The goal of the global-warming crowd has never been to save the planet. Their goal has always been power, and this story proves it once again.
From the press release: From the moment he is handed a possibility of making the first alien contact, Saunders Maxwell decides he will do it, even if doing so takes him through hell and back.
Unfortunately, that is exactly where that journey takes him.
The vision that Zimmerman paints of vibrant human colonies on the Moon, Mars, the asteroids, and beyond, indomitably fighting the harsh lifeless environment of space to build new societies, captures perfectly the emerging space race we see today.
He also captures in Pioneer the heart of the human spirit, willing to push forward no matter the odds, no matter the cost. It is that spirit that will make the exploration of the heavens possible, forever, into the never-ending future.
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