Barcelona Flamenco – Dance and Flute
An evening pause: This is most definitely Spanish in tone.
Hat tip Judd Clark.
An evening pause: This is most definitely Spanish in tone.
Hat tip Judd Clark.
An evening pause: From the 1936 film of the same name. Fred improvises to save Ginger’s job as a dance teacher. Watch how Rogers’ impression of him and her interaction during the dance evolves so naturally. I have always found her to be not only a great dancer, able to keep up with Astaire (the king of all dance), but also a marvelous actress.
Note too how this is not the gymnastics of modern dance, which is often only one small step above a Jane Fonda exercise video, but an amazingly nuanced and choreographed sequence of complex steps and moves, set to American pop music but with graceful classical ballet in mind.
Hat tip Judd Clark.
An evening pause: The camera soon focuses on this couple, whose performance eventually won the competition, which apparently was their tenth victory. As noted in the comments, “You don’t understand exactly how great they are until you see them in a roomful of other people dancing the same dance.”
Hat tip Judd Clark.
An evening pause: From the 1954 Italian film, Mambo.
Hat tip Judd Clark.
An evening pause: How about some hot dancing today? Some truly original moves that I think Fred Astaire would applaud.
Hat tip Mike Nelson. Note too that he found this on X. It is nice to give youtube some competition.
β€οΈβπ₯ Jason Colacino and Katie Boyle β Honky Tonk
Now THAT'S what I call pure elegance, charm, and undeniable heat!! π«Άπ₯ pic.twitter.com/P1NHHG3rtW— Love Music (@khnh80044) April 1, 2025
An evening pause: From the webpage:
A collection of various Circassian dance figures and influenced by the Western Adyghe tribes Ubykh, Natukhay and Shapsug who once used to populate the Black Sea coasts of the Northwest Caucasus for thousands of years with their Abkhazian cousins before they were completely exiled from the region by Russian Empire in 1864.
The solo dances are especially hypnotic. There are also many elements that resemble Irish dance.
Hat tip Judd Clark.
An evening pause: Stay with it, it ain’t over till its over.
Hat tip Judd Clark.
An evening pause: Performed in 2020 by the National Orchestra of France with a piano solo by Khatia Buniatishvili and a ballet duet by Jordan Kindell and Verity Jacobson.
Hat tip Judd Clark.
An evening pause: Performed 2010 by the Moscow City Symphony, dancers Inna Svechnikova and Dmitry Chernysh.
Hat tip Judd Clark.
An evening pause: Most people today likely associate this music with space stations and spacecraft in space (influenced by the movie 2001: a Space Odyssey), but this video shows the real reason it was written, for dancing the waltz.
Hat tip Judd Clark.
An evening pause: As one commenter on youtube said, “This guy’s body must be fully made of water.”
Hat tip Dave McCooey.
An evening pause: Stay with it, the second and third dancing couples in this compilation are especially good. This isn’t Astaire & Rogers, but it is superbly done, nonetheless.
Hat tip Judd Clark.
An evening pause: The dance says the 1920s. It is also amazing how many different moves they do, yet every move belongs to this same dance.
Hat tip Tom Biggar.
An evening pause: A very different dance number from the 1969 film Sweet Charity, the first that Bob Fosse directed.
Hat tip Judd Clark.
An evening pause: We’ve had a lot of 1970s pop songs and dance recently. Here’s an example of one of the greatest movie dance numbers, from the 1936 movie Swing Time. Note how smooth and ballet-like it is, unlike the staccato and gymnastic styles that began to dominate dance after the 1960s.
Note also the remarkable lack of cuts. The dance is performed with only one cut, which means Astaire and Rogers had to get it perfect, the whole way through each of these two shots. It took 47 takes before they succeeded.
An evening pause: Beautifully performed, with grace and style. The performers are Elena Petrichenko and Sergey Chumakov.
Hat tip Mike Nelson.
An evening pause: From the 1955 film, The Seven Little Foys, with Bob Hope playing Eddie Foy, and James Cagney reprising the role of George M. Cohen, first played by him in Yankee Doodle Dandy (1942).
Hat tip Thomas Keener.
An evening pause: The song is Lost in the Rhythm, performed by Octavia Rose.
Hat tip Tom Biggar.
An evening pause: Actually, the song is the least interesting thing about this dance number from Ship Ahoy (1942). Stick with it to see the dance interplay between dancer Powell and drummer Rich.
Hat tip Tom Biggar.
An evening pause: From the 1954 Colgate Comedy Hour Christmas Special with Abbott & Costello.
Hat tip Tom Biggar.