Voidwalkeraudio – Desire

An evening pause: The visuals come from the 1927 German film by Fritz Lang, Metropolis, and cover the scene dubbed “Maria’s Dance.” You can see the full movie here, as well as many other places on line.

Hat tip Judd Clark, who adds, “To understand what’s going on here, one needs to see the whole movie, preferably the latest restored version, and to really understand, one needs to read Lang’s wife Thea Von Harbou’s book “Metropolis”.

Movies when our culture was not run by barbarians

Today’s essay will in a sense be part two of an essay I wrote earlier this week, entitled “We are becoming a nation of barbarians”. Then, I tried to show the decay in the western civilization by describing the accepted — almost encouraged — crudeness of modern language. While public cursing could easily be consider only a small and trivial issue, I think the increased use of obscene language in normal discourse is equivalent to the “broken windows theory” of psychology, which posits that minor visible signs of disorder and misbehavior encourage further and worse disorder and misbehavior, eventually leading to collapse.

Today I’d like to instead give some examples of the much more civilized nature of popular entertainment from only a half century ago, in order to contrast this with the present. To do this I will cite just four movie examples, and challenge everyone today who is a passionate fan of modern films to watch them (all of which are available for free on the internet) and recognize the differences that I will describe. If you like movies, you will enjoy the experience, but I warn you, modern popular entertainment films do not compare well with these mid-twentieth century pop movies.
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Busby Berkeley – Tap dance sequence from Lullaby of Broadway

An evening pause: Time for another Berkeley extravaganza. This except is only a small part of the full thirteen-plus minute Lullaby of Broadway number in the movie Gold Diggers of 1935. This movie was made when the talking pictures were still new, and making films that highlighted “All Talking! All Singing! All Dancing!” was the rage. It was also a time when all Americans danced arm-in-arm as one of their main forms of entertainment, so interest in great dancing like this was at its height.

Hat top Judd Clark.

John Williams – Imperial March

An evening pause: What is most important about this performance is that Williams was doing the conducting on his 90th birthday. The only sour note of this performance is the idiotic masks they made some members of the orchestra wear. Obviously, a horn player can’t give anyone an infection, but a violin player can. Note too how all the VIPs on the front of the stage (such as Steven Spielberg) were also immune from COVID and didn’t need masks either. What fools and hypocrites.

Hat tip Phil Berardelli.

Glenn Miller Band – I’ve got a Gal in Kalamazoo

An evening pause: From the 1942 film, Orchestra Wives. The word “brass” in all its meaning captures the sense of this music and the American free culture then. Everything and anything was allowed, within the moral confines of Judeo-Christian ethics.

Hat tip Wayne DeVette.

I am in need for evening pause suggestions. If you are interested in suggesting an evening pause, please say so in the comments (without providing a link to that suggestion). I will contact you so you can forward it directly to me to schedule. The guidelines for submitting Evening Pauses:

1. The subject line should say “evening pause.”
2. Don’t send more than one per email.
3. Variety! Don’t send me five from the same artist. I can only use one. Pick your favorite and send that.
4. Live performance preferred.
5. Quirky technology, humor, and short entertaining films also work.
6. Search BtB first to make sure your suggestion hasn’t already been posted.
7. I might not respond immediately, as I schedule these in a bunch.
8. Avoid the politics of the day. The pause is a break from such discussion.

January 3, 2023 Quick space links

Courtesy of BtB’s stringer, who trolls the web to make sure I don’t miss any important stories.

  • Astronaut Walt Cunningham has passed away
  • Cunningham only flew in space once, on Apollo 7, the first shakedown flight of the Apollo capsule in October 1968. The flight lasted ten days, had no technical problems at all, though all three astronauts caught colds. Its success paved the way for the Apollo 8 mission around the Moon two months later.

 

 

  • The trailer for the Russian sci-fi movie, The Challenge, that was partly filmed on ISS last year, has now been released
  • It is very clear that they got a lot of good footage when they were on ISS. It is a shame however that this trailer doesn’t have English subtitles, because I think it probably could make some money from American filmgoers.

John Williams – The Cowboys Overture

An evening pause: It is more than a decade since I last posted this magnificent piece of music from the 1972 John Wayne film, The Cowboys. Time to post it again, because I think it makes a great start to a new year. Rather than John Williams conducting, this time we have a 2018 performance by the Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland, Andrzej Kucybała, conductor.

Dick Cavett – Burt Lancaster in the circus

An evening pause: This interview of Burt Lancaster on the Dick Cavett Show took place on July 21, 1969 (the day after Neil Armstrong took that first step on the Moon).

I could not help noting how humble and gracious Lancaster seemed. He might have been one of the world’s most charismatic actors, but he surely did not appear full of himself. The second part of this interview can be watched here.

Hat tip Cotour.

Will Tom Cruise ever actually shoot a movie in space?

Capitalism in space: According an interview last week from Donna Langley, chairman of Universal Film Entertainment Group, the company is arranging for Tom Cruise to film scenes of a movie on ISS, where Cruise will also be the first non-professional to do a spacewalk.

“That’s the plan. We have a great project in development with Tom that does contemplate him doing just that,” she said, “taking a rocket up to the space station and shooting and hopefully being the first civilian to do a spacewalk outside of the space station.”

She said the film request came from Cruise directly and that he is in close collaboration with director Doug Liman, who previously worked with Cruise in 2014’s “Edge of Tomorrow” and is also known for “The Bourne Identity” franchise, “Mr. and Mrs. Smith” and “Jumper.”

This claim might be true, but producers associated with Cruise have been making such claims now for three years, none of which have come even close to happening. I am sure the project is being discussed, and even pushed hard, but based on what has actually happened, this announcement could simply be a way to generate buzz for Cruise’s next film, whether or not he flies.

Nonetheless, I fully believe that Cruise is the source of this idea, and wants to do it, given his habit of doing his own stunts in his movies.

Mitch & Mickey – When You’re Next to Me

An evening pause: This movie scene was created for the Christopher Guest pseudo-documentary film A Mighty Wind (2003), recreating with marvelous and loving accuracy a look back at the folk song era of the 1960s, but doing it about a bunch of completely mythical folk groups. The song is by the actor Eugene Levy, who plays Mitch. Catherine O’Hara plays Mickey.

The irony is that though this is actually the best song by far in the movie, the scene was deleted. The only time you hear this song is over the end credits. However, as Levy is quoted on the youtube page:

“At the end of this movie, when we do the concert, it was all filmed basically live. We’re not pre-recording the music and lip-synching to it. We’re actually filming it live. It put a little added pressure on what you thought was a relatively good singing voice. It took a little work and I think I can speak for Catherine, too, as two of the relatively non-musician people. It was exciting and scary.”

A touching and surprisingly effective film, expressing the magic that can happen to us all, but sometimes only in a short burst that is soon lost and cannot be truly recaptured.

Hans Zimmer – Pirates Of The Caribbean Medley

An evening pause: Performed live in Prague 2017.

Hat tip Alton Blevins.

I am in need for evening pause suggestions. If you are interested in suggesting an evening pause, please say so in the comments (without providing a link to that suggestion). I will contact you so you can forward it directly to me to schedule. The guidelines for submitting Evening Pauses:

1. The subject line should say “evening pause.”
2. Don’t send more than three in any email. I prefer however if you send them one email at a time.
3. Variety! Don’t send me five from the same artist. I can only use one. Pick your favorite and send that.
4. Live performance preferred.
5. Quirky technology, humor, and short entertaining films also work.
6. Search BtB first to make sure your suggestion hasn’t already been posted.
7. I might not respond immediately, as I schedule these in a bunch.
8. Avoid the politics of the day. The pause is a break from such discussion.

Lawrence of Arabia

An evening pause: I have posted scenes from this film twice (both sadly gone now from youtube), but I think the trailer sells it well. This movie remains one of the greatest made in the history of film. If you haven’t seen it, you must. Though its facts are of course not entirely accurate, its sense of the history, culture, time, and the political machinations going on in Arabia during World War I are spot on. The visuals, acting, and script (by Robert Bolt) are also magnificent.

It also speaks to the Middle East we see today, and helps explain why the Arabs have so far not really done well with the advantages of western technology.

Hat tip Tom Wilson, who says he makes it a point to watch this epic at least once a year.

Fred Astaire & Ginger Rogers – Never Gonna Dance

An evening pause: We’ve had a lot of 1970s pop songs and dance recently. Here’s an example of one of the greatest movie dance numbers, from the 1936 movie Swing Time. Note how smooth and ballet-like it is, unlike the staccato and gymnastic styles that began to dominate dance after the 1960s.

Note also the remarkable lack of cuts. The dance is performed with only one cut, which means Astaire and Rogers had to get it perfect, the whole way through each of these two shots. It took 47 takes before they succeeded.

Dean Martin & Rick Nelson – Rio Bravo

An evening pause: This medley of songs were performed as part of the Howard Hawks’ 1959 western Rio Bravo. The first song, “My rifle, my pony, and me,” was actually adapted from the main theme by Dimitri Tiomkin from Hawks’ earlier classic, Red River (1948). When Diane and I were watching this recently, I recognized the music, but it took a while to figure out where I’d heard it before.

Both movies are examples of the kind of entertaining and rich films Hollywood used to produce, routinely.

Julie Andrews – My Favorite Things

An evening pause: From the movie The Sound of Music (1965), a song about teaching children to face fear, to push past it, and live boldly and with courage. And to do it with humor. As Ray Bradbury wrote in his book, Something Wicked This Way Comes, you defeat evil and fear by laughing at it. The world needs to recapture this idea, or else we are doomed.

Hat tip Tom Wilson.

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