An evening pause: This scene, from Stage Door (1937), is considered by many to be Katherine Hepburn’s greatest film moment: “The calla lillies are in bloom again.” Though powerful on its own, in the full context of the movie the scene is even more heart-breaking, and a true tour de force for Hepburn.
Talk about stupid: New Zealand might lose $700 million in movie production business due to a boycott by an Australian-based actors union. Fun quote:
Fifteen hundred workers, including directors, technicians and crew who [oppose the actors union], met at . . . Miramar Studios at 5pm for an emergency meeting this evening. By 7pm, they were storming the Actors Equity meeting in the city.
An evening pause: Henry Fonda and John Wayne in Fort Apache (1948).
“Sergeant, pour me some scripture.”
An evening pause: Though this sequence of shots from a 1922 Kodak test of Kodachrome film (possibly the earliest in existence) is hardly the stuff of drama, it is fascinating nonetheless, as it gives as an honest glimpse into the culture of its time. As you watch the different women pose for the camera, ask yourself: Has anything changed?
An evening pause: The Westerner (1940). Gary Cooper is wonderful, but it is Walter Brennan as Judge Roy Bean who steals the show.
An evening pause: The opening from the 1964 film, Robinson Crusoe on Mars. Though quickly dated by real events in the 1960s space race, this entertaining and surprisingly rational film shows how a determined man can survive, if he simply uses his brain.
An evening pause: Lawrence of Arabia (1962). One of the greatest epic films ever made. And though the story is heavily dramatized, it captures quite accurately the substance and reality of T.E. Lawrence’s time in the Middle East during World War I. Sadly, I wonder if anything has changed.
An evening pause: Bugs Bunny in Water Water Every Hare. “In my business you meet so many interesting people.”
An evening pause: The Snake Pit (1948). The story of the rescue of an insane woman (played by Olivia de Havilland). This scene expresses the longing for sanity by all the patients in the insane asylum.
An evening pause: A clip from The Time Machine (1960). Though not a completely accurate adaption, this enchanting film captured the essence of H.G. Wells’ novel. As Wells wrote,
But to me the future is still black and blank — is a vast ignorance, lit at a few casual places by the memory of [the Time Traveler’s] story. And I have by me, for my comfort, two strange white flowers — shrivelled now, and brown and flat and brittle — to witness that even when mind and strength had gone, gratitude and a mutual tenderness still lived on in the heart of man.
An evening pause: A concert performance of Ennio Morricone’s theme from Cinema Paradiso (1988), one of the best films ever made. Even if you don’t speak Italian, see it in Italian with subtitles, rather than the dubbed version.
An evening pause: Forbidden Planet (1956). Almost a half century after its creation, this science fiction film is still one of the best every made. The story is supposingly inspired by Shakespeare’s The Tempest. This is also the film that gave Gene Roddenberry his inspiration for Star Trek.
An evening pause: Thomas More, played by Paul Schofield, explains why he would allow even the devil his due in law, from A Man for All Seasons (1966).
An evening pause: From Kevin Branagh’s 1989 film of Shakespeare’s Henry V, the battle speech “upon Saint Crispin’s day”.
An evening pause: From Davy Crockett, King of the Wild Frontier (1955), a moment of quiet reflection.
An evening pause: In our modern “politically correct” society, many people object strenuously when I express my unwavering preference for the British-American culture that founded the United States. It seems that today’s polite society considers it judgmental and unfair to suggest our way of life is superior to others. Well, before you protest, please listen to this speech from the movie Gettysburg, in which Colonial Joshua Chamberlain explains why he decided to fight for the Union in the Civil War. To quote, “We are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.” Then he adds this most important point: “Here we judge you by what you do, not by who your father was.”
That is our culture. That is what we as a society have always stood for. And it is these values that I wish to propagate to the stars, a desire for which I will make no apologizes.
An evening pause: Of all the animators in the world today, Hayao Miyazaki is probably the best. Every single one of his films is an incredible viewing experience. Here is a clip from Whisper of the Heart (1995), a truly wonderful film about young love and hope. Though he didn’t direct it, Miyazaki wrote the screenplay and storyboards as well as produced it. Not surprisingly, the film is seeped in his style, with the same unique but believable characters, unpredictable but compelling story-telling, and a magical originality that is rare in movies today.
An evening pause: Tomorrow will be the 41st anniversary of the Apollo 11 landing on the Moon. So, let’s start the week with a clip from the 1972 film version of Man of La Mancha to show why some impossible dreams are certainly possible. In this short scene, Peter O’Toole, as Cervantes, explains why he does not like to look at life, “as it is.”
An evening pause: Though Vera-Ellen made only a handful of films and is not that well known today, during the late 1940s and 1950s she was one of Hollywood’s top female dancers. Here she performs a delightful dance number from the film Call Me Madame (1953).
An evening pause: How about some great music tonight, sung by Judy Garland. This is the Trolley Song from Meet Me in St. Louis. The last line of the song says it all, about life and love.
An evening pause: Whoever says that the Hollywood of the 1930s and 1940s only made feel-good films with happy endings has never watched very many of those films. Here’s some stark uncontrolled anger, from one of James Cagney’s best films, White Heat (1949), directed by Raoul Walsh.
An evening pause: Here is an iconic movie scene from an iconic director (John Ford). The film is My Darling Clementine (1946), one of the best westerns ever made. Tough guy sheriff Wyatt Earp, played by Henry Fonda, makes the toughest decision in his life. And it has nothing to do with firing a gun!
