SpaceX – The Blue Danube

An evening pause: This SpaceX video taken by a camera attached to the fairing of the Falcon 9 rocket is cool not because of the video itself. Cameras on rockets have become routine, even for NASA. What is cool is that they have unveiled it using the same Johann Strauss waltz used in the move 2001: A Space Odyssey (1968). It shows that SpaceX is aware of the cultural impact of what they do.

Hat tip Tom Wilson, Tom Biggar, and others.

The Americanization of Emily – “War is not moral”

An evening pause: A fine performance by James Garner from a Paddy Chayefski screenplay. While I agree that putting soldiers on pedestals is often a misplaced emotion that can lead to future unnecessary wars, I do not agree that all war is immoral. There are times, as a last resort, when good people have to stand up and fight, if only to prevent bad people from dominating the battlefield. In 1964, when The Americanization of Emily was released, Americans could be forgiven for being hostile to war. After World War II the country had gotten itself into a string of wars, the goals of all having been poorly considered. It was also a time when evil people were well restrained by our willingness to stand up to them.

Today, our fear and hostility to war is allowing evil to run rampant worldwide. It will very soon descend upon our heads if we do not begin to fight back.

Having said that, this is a fine and thoughtful scene from a fine and thoughtful movie, raising many profound thoughts about the nature and consequences of war. Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

????? – John Wilson Orchestra

An evening pause: This pause is going to be a challenge. I am curious who can most quickly identify the film that this suite comes from, performed here live in 2013. I am sure that anyone that knows anything about movies will figure it out by around 2:30, but can you do it sooner? One hint: this is one of the greatest and most popular films ever made.

Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

Movies before the code

An evening pause: I had doubts about posting this initially, not because I’m a prude but because, as I wrote to Phil when he sent me this suggestion, “What is the point? Watching three minutes of 1930s girls taking off their robes to reveal their underwear? I’m not sure that is my goal with my evening pauses.”

But then I thought, why not? The compilation definitely illustrates the differences and similarities between then and now. What was risque then is almost innocent today. And at the same time, what is interesting in terms of sex then is not much different than what is interesting today. Sex still sells. Humans remain human. And Valentine’s Day is tomorrow.

Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.

Eleanor Powell – Hula

An evening pause: From Honolulu (1939). What I like about this is that everyone involved has no worries about offending anyone. They are free to take the native cultural music of Hawaii and embellish it as the whim takes them. They were free (to repeat that forgotten word) to be as creative as they like. The result is a pretty hot dance number.

Hat tip Edward Thelen.

Martin Brest – Hot Tomorrows

An evening pause: Hat tip again to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime. As Phil wrote to me, this scene is “the sensational finale from Martin Brest’s NYU student film, Hot Tomorrows. Brest, who went on to direct Beverly Hills Cop, Midnight Run and Scent of a Woman, broke all the rules in scrounging every resource he could find to make this 73-minute tragi-comic riff on the subject of death.”

Makes for a perfect Halloween evening pause.

An aside: Long ago, when I was in the movie business, I worked with many of the people who helped Brest make this film, and can say without doubt that he scored the best crew one could imagine finding for a student production.

The greatest electronic music of the fifties and sixties

Link here. Many of these could easily be an evening pause, other than the fact that they don’t have visuals. If you want to get a feel for the beginnings of electronic music, check them out. The styles range from space music to jazzy. The sampling even includes the electronic music from Forbidden Planet (1956), one of the best science fiction films ever made. I have put one as an example below the fold.
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