All that Jazz – audition scene
An evening pause: Stay with it. The last bits of dialogue are worth it.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: Stay with it. The last bits of dialogue are worth it.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: This SpaceX video taken by a camera attached to the fairing of the Falcon 9 rocket is cool not because of the video itself. Cameras on rockets have become routine, even for NASA. What is cool is that they have unveiled it using the same Johann Strauss waltz used in the move 2001: A Space Odyssey (1968). It shows that SpaceX is aware of the cultural impact of what they do.
Hat tip Tom Wilson, Tom Biggar, and others.
An evening pause: From The Big Store (1941).
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: A fine performance by James Garner from a Paddy Chayefski screenplay. While I agree that putting soldiers on pedestals is often a misplaced emotion that can lead to future unnecessary wars, I do not agree that all war is immoral. There are times, as a last resort, when good people have to stand up and fight, if only to prevent bad people from dominating the battlefield. In 1964, when The Americanization of Emily was released, Americans could be forgiven for being hostile to war. After World War II the country had gotten itself into a string of wars, the goals of all having been poorly considered. It was also a time when evil people were well restrained by our willingness to stand up to them.
Today, our fear and hostility to war is allowing evil to run rampant worldwide. It will very soon descend upon our heads if we do not begin to fight back.
Having said that, this is a fine and thoughtful scene from a fine and thoughtful movie, raising many profound thoughts about the nature and consequences of war. Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: One of the many classic scenes from the classic Hollywood masterpiece, Adam’s Rib (1949).
Another hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: A classic comedy scene from Woody Allen’s Annie Hall (1977). What especially makes the scene work is how realistic he portrays what it was like to stand in a movie line in New York in the 1970s.
Another hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From the 1959 classic movie Ben-Hur, written by Miklós Rózsa. Watch the musicians as they aggressively play this very driving piece of music. Shows that classical orchestra music is far from staid and boring.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: It has been a few years since I posted a performance of this magnificent music by Ennio Morricone from the magnificent 1988 film Cinema Paradiso. The time has come to do it again.
Hat tip Danae.
An evening pause: From the 1962 Howard Hawks film Hatari!, this scene, and the music that goes with it, shows off the film’s light-hearted adventurous tone. And yes, that’s John Wayne following the girl. Since then this music has been reused innumerable times in youtube pet videos.
Hat tip Diane Zimmerman.
An evening pause: This pause is going to be a challenge. I am curious who can most quickly identify the film that this suite comes from, performed here live in 2013. I am sure that anyone that knows anything about movies will figure it out by around 2:30, but can you do it sooner? One hint: this is one of the greatest and most popular films ever made.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: I had doubts about posting this initially, not because I’m a prude but because, as I wrote to Phil when he sent me this suggestion, “What is the point? Watching three minutes of 1930s girls taking off their robes to reveal their underwear? I’m not sure that is my goal with my evening pauses.”
But then I thought, why not? The compilation definitely illustrates the differences and similarities between then and now. What was risque then is almost innocent today. And at the same time, what is interesting in terms of sex then is not much different than what is interesting today. Sex still sells. Humans remain human. And Valentine’s Day is tomorrow.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From Honolulu (1939). What I like about this is that everyone involved has no worries about offending anyone. They are free to take the native cultural music of Hawaii and embellish it as the whim takes them. They were free (to repeat that forgotten word) to be as creative as they like. The result is a pretty hot dance number.
Hat tip Edward Thelen.
An evening pause: From the 1932 film Love Me Tonight, starring Maurice Chevalier. Stay with it, because it gets quite entertaining. And don’t you want to know what happens next?
Hat tip Edward Thelen.
An evening pause: From the 1955 Jimmy Stewart film Strategic Air Command. The B-36, with both propeller and jet engines, was soon superseded, but the takeoff, as captured so well in the movie, is impressive. It was a big plane.
Hat tip again to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From Broadway Melody of 1940. This is probably one of the best tap dance duet scenes ever filmed.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From A Day at the Races (1937).
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: Hat tip again to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime. As Phil wrote to me, this scene is “the sensational finale from Martin Brest’s NYU student film, Hot Tomorrows. Brest, who went on to direct Beverly Hills Cop, Midnight Run and Scent of a Woman, broke all the rules in scrounging every resource he could find to make this 73-minute tragi-comic riff on the subject of death.”
Makes for a perfect Halloween evening pause.
An aside: Long ago, when I was in the movie business, I worked with many of the people who helped Brest make this film, and can say without doubt that he scored the best crew one could imagine finding for a student production.
An evening pause: From Amadeus (1984).
Hat tip to Phil Berardelli, who described this as “a portrayal of divinely inspired genius.” Be sure to check out Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From The Road to Rio (1947), with a little help from Bob Hope.
Hat tip again to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime, which I have found to be a great reference for finding the best films from movie history.
An evening pause: He plays this with the verge and style of the best bluegrass fiddlers.
Hat tip again to Phil Berardelli.
An evening pause: Performed live 2011 with Sabine Grofmeier on the clarinet. From the 1986 film The Mission.
Link here. Many of these could easily be an evening pause, other than the fact that they don’t have visuals. If you want to get a feel for the beginnings of electronic music, check them out. The styles range from space music to jazzy. The sampling even includes the electronic music from Forbidden Planet (1956), one of the best science fiction films ever made. I have put one as an example below the fold.
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Link here.
An evening pause: From the 1954 Jimmy Stewart film, The Glenn Miller Story. They play on, even as a German V1 buzz bomb comes flying in.
Hat tip Edward Thelen.
Heh. Doug Messier has found exclusive footage of the arrival of Deputy Prime Minister Dmitry Rogozin at the new Vostochny spaceport under construction in eastern Russia, just prior to Vladimir Putin’s visit on Tuesday.
An evening pause: The closing music from the 1983 film Local Hero, performed live by its composer Mark Knopfler.
Hat tip to Phil Berardelli.