Chuck Jones on Getting Started
An evening pause: “It costs money to die poor.”
For those who don’t know, Chuck Jones directed some of the best Bugs Bunny cartoons that Warner Brothers ever produced.
Hat tip Wayne DeVette.
An evening pause: “It costs money to die poor.”
For those who don’t know, Chuck Jones directed some of the best Bugs Bunny cartoons that Warner Brothers ever produced.
Hat tip Wayne DeVette.
An evening pause: For Halloween tonight a slightly different treat: a full length movie! House on Haunted Hill (1958) starred Vincent Price, and was directed by William Castle. As Leonard Maltin put it, “Campy fun.”
An evening pause: You need to watch all of The Sound of Music (1965) to understand the context that makes the song even better, and explains the way the clip ends.
Hat tip Edward Thelen.
An evening pause: I think this makes a nice contrast with yesterday’s evening pause. Both show talent, skill, musical ability, but which is actually more civilized?
From the 1934 Fred Astaire and Ginger Rogers musical, The Gay Divorcee.
Hat tip Edward Thelen.
An evening pause: From one of the best films ever made, Raiders of the Lost Ark (1981). As I wrote about it at the time for a comic book fan group, it recognizes that there is good and evil, and that there is something in the universe that casts judgement on each. Such concepts had and continue to be largely rejected by modern intellectualism, at our peril.
Hat tip Edward Thelen.
A evening pause: From the film Who Framed Roger Rabbit? (1988), and sung by Amy Irvine.
Hat tip Jim Mallamace.
An evening pause: From the really evocative science fiction film Dark City (1998). The film ain’t perfect, but it sticks with you long after you see it.
Hat tip Edward Thelen.
An evening pause: From the 1949 musical comedy Neptune’s Daughter, with Esther Williams, Ricardo Montalbán, Red Skelton, and Betty Garrett.
Hat tip Edward Thelen.
A daytime pause: For Christmas Day, what better than to watch Alastair Sim’s incredible performance in the 1951 adaption of Charles Dickens’ A Christmas Carol.
I watched this again and felt like weeping, not because of the sentimentality of the story itself but because it is so seeped in a civilized world that increasingly no longer exists. There was a time when this was our culture. I fear it is no longer so. As noted by the Spirit of Christmas Present, “This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.”
Enjoy, and I hope you all have a Merry Christmas Day.
An evening pause: I’ve posted this song as an evening pause previously, but I think Audrey Hepburn’s performance of the song in the 1961 movie, Breakfast at Tiffany’s, which introduced it to the world, deserves to be seen.
Hat tip Andrew_W.
An evening pause: From the Mikis Theodorakis score for the 1964 film, Zorba the Greek.
Hat tip Jim Mallamace.
An evening pause: Just one of the continuous string of great scenes from the 1942 film, Casablanca, much of which is a silent interplay between the characters that only will make sense if you’ve seen the movie.
Hat tip Edward Thelen.
An evening pause: From A Star is Born (1954).
Hat tip Edward Thelen.
As always, I am open to evening pause suggestions from my readers. If you have one, say so here in a comment, but don’t post the link. I will email you to get it.
An evening pause: From the Martin Scorsese documentary, The Last Waltz (1978).
Note that if a band tried to write a song like this today, sympathetic to the southerns who died during the Civil War, they would probably find their careers destroyed. So much for artistic freedom, and having empathy for all souls.
Hat tip Wayne DeVette.
An evening pause: From one of the best dramatic series ever produced of the 1960s space race, From the Earth to the Moon (1998), this is the Apollo 12 launch scene.
Hat tip Edward Thelen.
An evening pause: Based on some emails I have received, I think some people have been fooled by this cool animation and actually think these are real giraffes! This just tells us that it will not be long now before real actors are no longer necessary and it will be possible to do live action films entirely with animation.
Hat tip George Petricko.
An evening pause: In one of the most powerful death scenes ever, Louise Fletcher plays a scientist who suddenly realizes it is about to happen. From the 1983 film Brainstorm.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From the 1956 film High Society. And for my wife Diane today.
Hat tip Edward Theen.
An evening pause: From the 1983 film, Cotton Club.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: From the 1955 Bob Hope film, The Seven Little Foys, with James Cagney playing George M. Cohan. Neither man is remembered for their dancing, but from this scene you wouldn’t know it.
Hat tip Tom Biggar.
An evening pause: I have always thought Steven Spielberg’s E.T. The Extra-Terrestrial (1982) to be incredibly over-rated, poorly edited, shallow with a predictable script, and not very interesting. Why the public went mad for it in 1982 always baffled me. Nonetheless, Williams’ score was and is magnificent, and a listen here might explain that madness somewhat.
Hat tip Danae.
An evening pause: From the 1941 Howard Hawks classic, Ball of Fire, about eight professors who hire a burlesque dancer to explain slang to them. Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime, who notes, “Barbara Stanwyck demonstrates the art of seduction, complete with luminously backlit hair, opposite the uncharacteristically prim Gary Cooper.”
“I’m going to show you what yum-yum is!”
An evening pause: Vienna’s Radio Symphony Orchestra performs an excerpt of David Arnold’s soundtrack to the 1996 film Independence Day during the 2013 Hollywood in Vienna concert.
The film was incredibly silly, but fun nonetheless. The performance here captures some of that silliness, with the lighting and the smoke and the film clips. Also, the score’s use of a drum and flute in a short section near the middle is clearly intended to refer to the American Revolution, since in the movie the human race, led by Americans, conquers the aliens on the 4th of July, Independence Day..
Hat tip Danae.
An evening pause: On the eve of this year’s election day, this scene from Becket (1964) expresses well what I wish the American voters would do to both the Democratic Party and the Republican leadership in Congress. They all need to go, for the health of the country and because of their repeated malfeasance in office.
Hat tip to Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: This clip is actually only the last half of the chariot race scene from Ben-Hur (1959), still one of the greatest action sequences ever put on film. And not only was it on film, but they did it without any computer animation. What you see is real, real horses and real chariots and real actors and real very skilled and brave stunt men. (See this short film on how the even earlier 1925 silent-era epic film Ben-Hur version was made, in a similar manner.)
If you get the chance, watch the 1959 film. Truly a great Hollywood epic.
Hat tip Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
An evening pause: Hat tip to Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime, who notes, “Producer Mike Todd lured dozens of stars to appear in cameos in his still-glorious take on the classic Jules Verne novel, and nowhere were they more delightful than in the San Francisco saloon scene.”
How many well known actors and performers can you spot doing cameos in this short clip?