An evening pause: From a time in the distant past when people could socialize and entertain each other as normal human beings. And according to the youtube website, the fire was real.
An evening pause: As the youtube webpage notes, “This is not an acoustic recording. This is a recording obtained by piano roll.”
Rolls for the reproducing piano were generally made from the recorded performances of famous musicians. Typically, a pianist would sit at a specially designed recording piano, and the pitch and duration of any notes played would be either marked or perforated on a blank roll, together with the duration of the sustaining and soft pedal. Reproducing pianos can also re-create the dynamics of a pianist’s performance by means of specially encoded control perforations placed towards the edges of a music roll, but this coding was never recorded automatically. Different companies had different ways of notating dynamics, some technically advanced (though not necessarily more effective), some secret, and some dependent entirely on a recording producer’s handwritten notes, but in all cases these dynamic hieroglyphics had to be skillfully converted into the specialized perforated codes needed by the different types of instrument.
Thus, we are listening now to a player piano, replaying the music as Debussy played it.
An evening pause: I normally don’t post two suggestions in a row from the same reader, but this particular collapsible (!) guitar contrasts too nicely with Friday’s theorbo. From the youtube webpage:
If the ability to break down and re-assemble wasn’t crazy enough, it actually STAYS IN TUNE when you put it back together, thanks to the air-tight construction techniques and locking tuners!
An evening pause: The music was written in the early 1600s by G.G. Kapsberger. The instrument is called a theorbo. I posted a different performance featuring this medieval instrument in 2019, in which the instrument’s origins is described. In both cases the quality of sound is hauntingly wonderful..
An evening pause: For Armistice Day. The song should remind us that the shadows cast by the first World War have been long and enduring, and even a hundred years after continue to influence us, for good and ill.
An evening pause: Hat tip Jim Mallamace, who writes,
Good friends, Astrid Paster and Franziska Pauli, are Die Twinnies. This was the girls’ debut TV performance for the popular Austrian entertainment show, “Musikantenstadl.”
This was recorded in 2009. It is said the career length of a child entertainer is about the same as the lifespan of a pet. That was pretty much true for Die Twinnies. We enjoy such performances while we can.
An evening pause: Hat tip Jim Mallamace, who writes,
If I understood German, I think I would enjoy this performance even more. Angela Wiedl is Bavarian, Melanie Oesch is Swiss, and Herlinde Lindner is Austrian. From what I read in the comments, each singer sings the “Erzherzog Johann Jodler” in her own country’s version of German.
An evening pause: This pause seems most appropriate, following yesterday’s pause, since this is thought to be the last thing the Titanic’s band played just before the ship sank.
We can hope this also does not become the epitaph for America, following the election.
I ain’t a dime but what I got is mine.
I’m not rich but Lord I’m free.
Hat tip to Robert Pratt of Pratt on Texas, who doesn’t know he suggested this. This song is something he plays for his guests during commercial breaks so they don’t have to listen to commercials. I decided after last Thursday’s appearance it needed to be an evening pause.
An evening pause: Performed live 1992. For my young readers, Nesmith was one of the Monkees, but was also a successful songwriter and performer in his own right.
Les and Mary perform “There’s No Place Like Home” with some classic add libbing, especially from Les. Mary Ford was a fine guitarist in her own right and that fact is ably demonstrated here. Watch for when Les goes wild and breaks his high E string. Mary is about to punish him when… Well, watch the video. And, dig those gorgeous 1952 Gibson Les Paul guitars, heavily customized by the master himself. Trivia: Les shattered and almost lost his right arm in a 1948 car crash. Les had the doctors set his elbow at an angle so he could still play guitar but he could never again fully extend his right arm.
An evening pause: Very nice cover, with both women playing on the same harp. Note however that this is not live, nor are the visuals from a single performance. It appears to me that the players recorded the song in a studio, then shot themselves performing it several times at different angles. Later they edited those visuals to match the studio taping.