Tag: entertainment

Elmer Bernstein – To Kill A Mockingbird Suite

6:01 pm

An evening pause: Performed live 2014 by the Beethoven Academy Orchestra with Sara Andon on the flute.

Some movies are made special because of their score, and I think this applies to the 1962 film, To Kill a Mockingbird. It is a superb work of art, but it rises above many comparable films due to the music that Elmer Bernstein wrote for it. His suite only gives a hint of its effectiveness, in the movie.

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Stephen Sondheim – Someone in a Tree

6:01 pm

An evening pause: For my birthday, a repost of a 2010 evening pause of one of my favorite Broadway songs, from Stephen Sondheim’s Pacific Overtures, which I only recently learned was his favorite song as well.

It tells the story of a significant moment in history, the moment when Japan’s leaders signed their first international treaty in 1852 with the United States, but from the point of view of outside witnesses. Its point is profound, that history is not just made by the leaders who sign the deals, but by every individual who makes up the whole of human society.

It’s the fragment, not the day
It’s the pebble, not the stream
It’s the ripple, not the sea
That is happening.
Not the building but the beam
Not the garden but the stone
Only cups of tea
And history
And someone in a tree.

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Midnight repost: Truth, Justice, and the American Way

11:58 pm

Tonight Diane and I decided to watch again the 1978 Richard Donner movie, Superman. The overall film is lighthearted entertainment that captures the myth of this super-hero perfectly. However, it has two scenes that remain among the best moments in movie history (which you can watch here and here). The first captures the myth in every way. The second shows us that Superman truly stood for the best in America.

In watching the movie tonight again and reliving the myth I grew up with — that great things are possible if you believe and follow sincerely Superman’s motto of “truth, justice, and the American way” — I decided to repost my essay from 2020 where I attempted to explain what that motto really meant.

Enjoy!
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The heroic Superman as envisioned in the 1950s
George Reeves as the heroic Superman as envisioned
in the 1950s television show, emulated later by Richard
Donner in his 1978 movie. Click for show’s opening credits.

Truth, Justice, and the American Way

The words spoken during the opening credits of a 1950s children’s television show:

Faster than a speeding bullet.
More powerful than a locomotive.
Able to leap tall buildings in a single bound.
Look up in the sky!
It’s a bird.
It’s a plane.
It’s Superman!

Yes, it’s Superman, strange visitor from another planet who came to Earth with powers and abilities far beyond those of mortal men.

Superman, who can change the course of mighty rivers, bend steel in his bare hands, and who, disguised as Clark Kent, mild-mannered reporter for a great metropolitan newspaper, fights a never-ending battle for truth, justice, and the American Way.

That television show was obviously Superman, starring George Reeves, and these opening words expressed the mythology and basic ideals by which this most popular of all comic-book super-heroes lived.

I grew up with those words. They had been bequeathed to me by the American generation that had fought and won World War II against the genocidal Nazis, and expressed the fundamental ideals of that generation.

Much of the meaning of these fundamental ideals is outright and clear.
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The Warning – Dust To Dust/Dull Knives

6:01 pm

An evening pause: In 2017 I posted an evening pause of this band, when Daniela (on guitar) was 14 years old, Paulina (on drums) was 12 years old, and Alejandra (on bass guitar) was 9 yrs old. Today’s evening pause is from their 2023 tour in Mexico (where they are from), celebrating the band’s tenth anniversary. To put it mildly, they are a bit older.

Hat tip Matt Falk, who adds, “They are all adults now who’ve become one of the best live rock bands playing today, while still maintaining complete control of their career (a feat in itself).”

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Chris Rea – The Road To Hell

6:01 pm

An evening pause: Performed live 2006.

Hat tip Alec Gimarc, who adds these details: “Chris Rea passed away last week. About our age. Over 30 studio albums. British. Very much an acquired taste. Been listening to him for nearly 40 years. Smooth, smoky voice. He specialized in slide guitar. Road to Hell is probably his greatest hit.”

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