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Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon. from any other book seller, or direct from my ebook publisher, ebookit. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News


Movie of OSIRIS-REx touch-and-go rehearsal

Checkpoint rehearsal: last image
Click for movie.

The OSIRIS-REx science team yesterday released a short movie, compiled from thirty images taken during the April 14, 2020 rehearsal of the spacecraft’s planned August touch-and-go sample grab from the asteroid Bennu.

The rehearsal brought the spacecraft through the first two maneuvers of the sampling event to a point approximately 213 feet (65 meters) above the surface, before backing the spacecraft away. These images were recorded over a ten-minute span between the execution of the rehearsal’s “Checkpoint” burn, approximately 394 feet (120 meters) above the surface, and the completion of the back-away burn, which occurred approximately 213 feet (65 meters) above the surface. The spacecraft’s sampling arm – called the Touch-And-Go Sample Acquisition Mechanism (TAGSAM) – is visible in the central part of the frame, and the relatively clear, dark patch of Bennu’s sample site Nightingale is visible in the later images, at the top. The large, dark boulder that the spacecraft approaches during the sequence is 43 feet (13 meters) on its longest axis.

The image to the right is the last frame of the movie, as the spacecraft has begun its retreat. The smoother area of Nightingale is at the top.

Based on the video, it appears as if the spacecraft would have missed the Nightingale target site had the rehearsal continued to touchdown. This might not be so, however. And even if it is, the reason for the rehearsal is to allow engineers to refine the process to make it more accurate. We shall see what changes in the second rehearsal in about a month or so.

The support of my readers through the years has given me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Four years ago, just before the 2020 election I wrote that Joe Biden's mental health was suspect. Only in this year has the propaganda mainstream media decided to recognize that basic fact.

 

Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Even today NASA and Congress refuse to recognize this reality.

 

In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.

 

Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.

 

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