Webb takes infrared image of Hubble’s Pillars of Creation
Not unexpectedly, astronomers have quickly begun aiming the Webb Space Telescope’s infrared eye at some of the most famous targets previously imaged in optical wavelengths by the Hubble Space Telescope.
The newest example is shown to the right and reduced and labeled to post here. It shows what NASA officials dubbed “The Pillars of Creation” when Hubble first photographed this nebula in 1995, with a later 2014 Hubble optical image at the top and the new 2022 Webb infrared image on the bottom. From this image’s caption:
A new, near-infrared-light view from NASA’s James Webb Space Telescope, at [bottom], helps us peer through more of the dust in this star-forming region. The thick, dusty brown pillars are no longer as opaque and many more red stars that are still forming come into view.
While the pillars of gas and dust seem darker and less penetrable in Hubble’s view [top], they appear more diaphanous in Webb’s. The background of this Hubble image is like a sunrise, beginning in yellows at the bottom, before transitioning to light green and deeper blues at the top. These colors highlight the thickness of the dust all around the pillars, which obscures many more stars in the overall region.
In contrast, the background light in Webb’s image appears in blue hues, which highlights the hydrogen atoms, and reveals an abundance of stars spread across the scene. By penetrating the dusty pillars, Webb also allows us to identify stars that have recently – or are about to – burst free. Near-infrared light can penetrate thick dust clouds, allowing us to learn so much more about this incredible scene.
While the Hubble colors attempt to mimic the colors seen by the human eye, the colors in the Webb image are all false colors, chosen by the scientists to distinguish the different infrared wavelengths produced by different features in the picture.
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Not unexpectedly, astronomers have quickly begun aiming the Webb Space Telescope’s infrared eye at some of the most famous targets previously imaged in optical wavelengths by the Hubble Space Telescope.
The newest example is shown to the right and reduced and labeled to post here. It shows what NASA officials dubbed “The Pillars of Creation” when Hubble first photographed this nebula in 1995, with a later 2014 Hubble optical image at the top and the new 2022 Webb infrared image on the bottom. From this image’s caption:
A new, near-infrared-light view from NASA’s James Webb Space Telescope, at [bottom], helps us peer through more of the dust in this star-forming region. The thick, dusty brown pillars are no longer as opaque and many more red stars that are still forming come into view.
While the pillars of gas and dust seem darker and less penetrable in Hubble’s view [top], they appear more diaphanous in Webb’s. The background of this Hubble image is like a sunrise, beginning in yellows at the bottom, before transitioning to light green and deeper blues at the top. These colors highlight the thickness of the dust all around the pillars, which obscures many more stars in the overall region.
In contrast, the background light in Webb’s image appears in blue hues, which highlights the hydrogen atoms, and reveals an abundance of stars spread across the scene. By penetrating the dusty pillars, Webb also allows us to identify stars that have recently – or are about to – burst free. Near-infrared light can penetrate thick dust clouds, allowing us to learn so much more about this incredible scene.
While the Hubble colors attempt to mimic the colors seen by the human eye, the colors in the Webb image are all false colors, chosen by the scientists to distinguish the different infrared wavelengths produced by different features in the picture.
Readers!
Please consider supporting my work here at Behind the Black. Your support allows me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Only now does it appear that Washington might finally recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
“the colors in the Webb image are all false colors, chosen by the scientists to distinguish the different infrared wavelengths produced by different features in the picture.”
Thanks for the explanation. I’ve been wondering about this. I have an infrared night scope and all I see are varying shades of gray from white to black.
You should be able to do similar with most photo adjustment software.
As you know different filters could also give you more of less contrast and separation to your raw images.
I used to use paint shop pro and the GIMP quite a bit but have not for years now. Something for me to pick back up in my coming retirement.