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Readers!

 

My July fund-raising campaign to celebrate the fifteenth anniversary since I began Behind the Black is now over. I want to thank all those who so generously donated or subscribed, especially those who have become regular supporters. I can't do this without your help. I also find it increasingly hard to express how much your support means to me. God bless you all!

 

The donations during this year's campaign were sadly less than previous years, but for this I blame myself. I am tired of begging for money, and so I put up the campaign announcement at the start of the month but had no desire to update it weekly to encourage more donations, as I have done in past years. This lack of begging likely contributed to the drop in donations.

 

No matter. I am here, and here I intend to stay. If you like what I do and have not yet donated or subscribed, please consider supporting my work here at Behind the Black. You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:

 

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Inside a Mellotron M400 and how it works

An evening pause: A very strange instrument from the 1970s whose keys play strips of magnetic audio tape for each note. You can listen to a performance of “Nights in White Satin” on a Mellotron here. This is definitely a sound from the 1970s, used in many songs of that time.

Hat tip Judd Clark.

Genesis cover

On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.

 

The print edition can be purchased at Amazon. from any other book seller, or direct from my ebook publisher, ebookit. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.


The audiobook is also available at all these vendors, and is also free with a 30-day trial membership to Audible.
 

"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News

10 comments

  • judd

    Mechanical nightmare. i imagine that after trucking between shows you’d have to realign the capstan rollers and head pressure pads.

    But, people used them, and they made interesting sounds.

  • Judd: In posting your suggestion, I also came across this video of Paul McCartney demonstrating his own use of the Mellotron.

  • wayne

    judd-
    great piece!

    I would suggest this version to see what’s going on…

    “Nights In White Satin by the Moody Blues, on my Mellotron M400”
    Marco Hoogland (March 2020)
    https://youtu.be/DUAj3ql1DFI
    (2:17)

  • judd`

    They evidently underwent significant development after the M400.

  • Jeff Wright

    Bowie used it as well:
    https://www.electricity-club.co.uk/space-oddity-the-electronic-worlds-of-david-bowie/

    The unsteady, bittersweet whimsy of the instrument fit his music best.

    Better synthesizers demand a Robert Rich/Steve Roach style of ambient.

  • Andrew R.

    Mike Pinder of the Moody Blues had worked for the Mellotron’s manufatureer, Streetly Electronics, for 18 months. The experience came in handy on their first U.S. tour. One night the back of the Mellotron fell off and the tapes cascaded out. Pinder grabbed his toolbox and had it fixed in about 20 minutes. Mellotrobs were finicky. They didn’t do well with changes in heat and humidity.

  • Jerry Greenwood

    The instrument is amazing but the instructor impressed me the most.

  • Jerry Greenwood

    It just struck me. This is an outgrowth of the laugh track machines used (over used) to simulate audience reactions in television shows in the 60s.

  • Jerry Greenwood

    Well maybe not.

  • Jerry Greenwood

    Wayne

    The picture in my mind of the Moody Blues on stage while I listened to Knights In White Satin has been forever shattered. The vision of the violinists in their concert garb drawing the bow across the strings in unison is just a fond memory. The flautist standing in the Eric Anderson style is no more.

    Why did I get up this morning?

    Thanks for the link. ( not sarcasm)

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