OrtoPilot – Bittersweet Symphony
An evening pause: I wish he had used two cameras, just to give the visuals some variety, but the music overcomes the weak camerawork.
Hat tip Sayomara.
On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.
The print edition can be purchased at Amazon. from any other book seller, or direct from my ebook publisher, ebookit. The ebook is available everywhere for $5.99 (before discount) at amazon, or direct from my ebook publisher, ebookit. If you buy it from ebookit you don't support the big tech companies and the author gets a bigger cut much sooner.
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"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs."--San Antonio Express-News
The Tangled Copyright claims of “Bittersweet Symphony”
How Richard Ashcroft lost millions in royalties
https://youtu.be/I_s90-Hi2ZY
7:46
Staple Singers ->cover traditional spiritual song “This May Be the Last Time.”
Rolling Stones-> Modify Staple Singers song and copyright “The Last Time.”
Andrew Oldman Orchestra->licenses orchestral version of “The Last Time” from Rolling Stones.
The Verve- samples the orchestral version; behind the scenes things go terribly wrong.
This is a great comment Wayne. If you read the comments for your video it sounds like in the end Verve did get the rights to there music back.
sayomara-
In the Espionage World everything is ultimately a Mole-hunt, in the Music Industry everything is about stealing royalties.
Allan Klein is one of the Usual Suspects in this. (Not as bad as Col Tom Parker & Elvis but still…)
He owned ABKCO records and controlled all Rolling Stone content & associated licenses created prior to 1971. He played total hardball with Ashcroft; first they added Jagger & Richards for a publishing credit and required a 50% royalty, when the song hit up he demanded 100% and stole everything.
Klein eventually dies and circa 2019 ABKCO, under the direction of his son, returned the copyright & royalties to Ashcroft.