An evening pause: The song’s sentiment, that one should speak with care, I endorse heartily. One should always have the right, however, to say harsh things, if only because sometimes harsh things must be said. It is a shame that too many people in today’s culture think instead that they have the right to preemptively silence such speech, because it might offend someone.
Hat tip Joe Griffin.
An evening pause: My, does he enjoy what he is doing. From a 1960s television appearance.
Hat tip Jim Mallamace.
An evening pause: Performed on televsion, 1956.
Hat tip Edward Thelen, who added, “per LocalFluff’s request.”
An evening pause: The song has two parts, Your move, followed by All Good People. This performance was performed live in 2004, was entirely acoustic, and was filmed live before a studio audience and transmitted live to 25 theaters throughout the United States.
Hat tip Frank Kelly.
<An evening pause: Performed on Sha Na Na’s television show, that aired from 1977 to 1981.
Hat tip Jim Mallamace.
An evening pause: The video focuses on a shuttle launch, but I think the words apply to all launches, and especially to those that break new ground.
Excitement so thick you could cut it with a knife
Technology…high, on the leading edge of life
Hat tip Commodude.
An evening pause: That this even hints at political incorrectness requires that we watch it. And besides, the dancing is most intriguing.
Hat tip Jim Mallamace.
<An evening pause: From the 1956 Rodgers & Hammerstein Hollywood musical, The King and I. The song, actually sung by Marni Nixon, invokes a lesson I have learned works in almost every situation. Act like you belong and have the right to do what you are doing and people will accept this without question. This worked especially well when I was in the movie business.
The song’s lesson is also a good portrayal of the optimism and courage of the American culture in the mid-twentieth century. All good things were possible, if we showed courage and determination.
Hat tip Edward Thelen.
<An evening pause: A stream of consciousness song in tribute to March and spring.
Hat tip Edward Thelen.
An evening pause: From a 1956 television show, with all the cheesiness that goes with it.
Hat tip Jim Mallamace.
An evening pause: Bruce had co-wrote this song for the band Cream. And yes, that’s Ringo Starr on the drums.
Hat tip Edward Thelen.
An evening pause: It appears that there are others who can do this also.
Hat tip Peter Fenstemacher.
An evening pause: Nicely performed, especially as the performers were all playing the same guitar.
Hat tip James Mallamace.
An evening pause: I will think of this song whenever we see huge cuts in the federal bureaucracy.
Hat tip Jim Mallamace.
An evening pause: The very last song during the band’s farewell tour in 1996. The band did re-form in the 2000s, but without the drummer Paul Hester, who committed suicide in 2005.
Hat tip Jim Mallamace.
An evening pause: Holst dubbed Jupiter the bringer of Jollity. To me, the central epic theme from this movement has always evoked vastness and epic planet-sized storms, even before we really knew how epic and vast the storms on Jupiter really were.
Hat tip Danae.
An evening pause: Performed live by the RTÉ Concert Orchestra in Terminal 2, Dublin Airport.
Hat tip Danae.
An evening pause: As I head out for a week of caving in Belize, how about a little Latin American culture? (I know Belize is actually a former British colony, but it is in the middle of Central America, so that’s close enough.)
Hat tip Edward Thelen.
An evening pause: This cover of the Cyndi Lauper is fascinating and mesmerizing, all because of the singer’s face.
Hat tip Edward Thelen.
An evening pause: Hat tip Jim Mallamace, who wrote, “Classic country music had loss, booze and infidelity as three main themes. This selection from 1974 is by George Jones, whose real-life often mirrored these classic country themes.”
