North By Northwest (1959) Filming Locations, then and now
An evening pause: Put together by NYC in Film. For the background of how they relocated each location see here.
Hat tip Wayne DeVette.
An evening pause: Put together by NYC in Film. For the background of how they relocated each location see here.
Hat tip Wayne DeVette.
A Christmas Eve pause: As I have done now for several years on Christmas day, I bring you the classic 1951 version of Charles Dickens’ A Christmas Carol, starring Alastair Sim. In my opinion still by far the best adaption of the book and a truly wonderful movie.
And as I noted in a previous year:
Dickens did not demand the modern version of charity, where it is imposed by governmental force on everyone. Instead, he was advocating the older wiser concept of western civilization, that charity begins at home, that we as individuals are obliged as humans to exercise good will and generosity to others, by choice.
It is always a matter of choice. And when we take that choice away from people, we destroy the good will that makes true charity possible.
It is also most important that we all heed the words of Christmas Present: ‘This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.’”
An evening pause: The music is by Joe Hisaishi, from Hayao Miyazaki’s 2004 animated film Howl’s Moving Castle.
Hat tip Judd Clark.
An evening pause: From the 1933 film She Done Him Wrong. And yes, the young guy you see is Cary Grant. Sadly the print here is old and fuzzy, but a newer reprint is not available on line.
Hat tip Judd Clark.
An evening pause: For Halloween, I have decided to bring back this wonderfully staged classic from 1958, starring Vincent Price and directed by William Castle. No blood, no gore, but the worth every minute.
An evening pause: I think this makes a great start to the weekend. Clips from the 1959 movie Solomon and Sheba, centered on Gina’s pagan dance as Sheba, and edited to a piece of music by Dead Can Dance, called Cantara, which the youtube website labels “genuinely pagan music.” If you want to see the original film, go here and go to about 90 minutes. In the original, God steps in to stop all this hanky-panky.
Hat tip Judd Clark.
An evening pause: Performed live in 1989, to celebrate the 100th anniversary of the Eiffel Tower. What I especially like are the English subtitles, because for some reason this song is rarely translated. Knowing the meaning of what they are singing in the scene in the movie Casablanca makes that scene even more moving.
Hat tip Tom Biggar.
An evening pause: I think this song quite fitting to end the summer season. Sung by George Alexander, it plays over the opening credits to the classic 1966 John Wayne film of the same name, directed by Howard Hawks. The magnificent paintings that form the backdrop to the credits were painted by Olaf Wieghorst.
My daddy once told me what a man ought to be.
There’s much more to life than the things we can see.
And the godliest mortal you ever will know
Is the one with the dream of El Dorado.So ride, boldly ride, to the end of the rainbow.
Ride, boldly ride, till you find El Dorado.
An evening pause: A magnificent cover of this classic Ennio Morricone film score. If you want to hear a compliation of all of Morricone’s western scores, go here.
For me however Morricone’s score for Cinema Paradiso remains my favorite.
Hat tip Mike Nelson.
An evening pause: Music by Charles Barber. This comes from the 1913 silent film, Salomé, based on an Oscar Wilde play. Rarely seen, the movie represents a very early attempt to do something “edgy”. It succeeds about as well as modern “edgy” films, showing us a very shallow representation of human existence. But the visuals give us a glimpse into that early film world, when sets and costume were usually the only way to show something strange and striking.
Hat tip Judd Clark.
An evening pause: A look back at early Hollywood, and someone who was then a big star and a great comic actor but who is mostly forgotten today.
Hat tip Judd Clark.
An evening pause: The visuals come from the 1927 German film by Fritz Lang, Metropolis, and cover the scene dubbed “Maria’s Dance.” You can see the full movie here, as well as many other places on line.
Hat tip Judd Clark, who adds, “To understand what’s going on here, one needs to see the whole movie, preferably the latest restored version, and to really understand, one needs to read Lang’s wife Thea Von Harbou’s book “Metropolis”.
An evening pause: From the Youtube page:
Ann-Margret set to the Champs’ eternal hit “Tequila”. Scenes from “Viva Las Vegas” (1964), “Bye-Bye Birdie” (1963), “Made in Paris” (1966), “The Swinger” (1966) and “The Tiger and the Pussycat” (1967).
Hat tip Judd Clark.
An evening pause: Performed by the BBC Concert Orchestra. I think this makes for a good way to start the weekend. If you have time, get the movie and watch it. One of the greatest ever made.
Hat tip Doug Johnson.
An evening pause: From the 1964 film, Mary Poppins. I post it to celebrate my birthday. I saw this movie in the theater that year, as an eleven-year-old, and its optimistic and hopeful look at existence has never left me, even now in these dark times. If only today’s adults would focus on teaching these same positive and hopeful lessons to their own children.
An evening pause: This movie used to be a tradition for televion on Thanksgiving. At that time the holiday was well linked with the then joyous and relatively Christian Macy’s Day Parade (now warped into a queer agenda demonstration).
It I think makes for a good opening to the holiday season.
An evening pause: For Halloween, the 1935 classic, one of the greatest horror films ever made, directed with style and originality by James Whale.
Today’s essay will in a sense be part two of an essay I wrote earlier this week, entitled “We are becoming a nation of barbarians”. Then, I tried to show the decay in the western civilization by describing the accepted — almost encouraged — crudeness of modern language. While public cursing could easily be consider only a small and trivial issue, I think the increased use of obscene language in normal discourse is equivalent to the “broken windows theory” of psychology, which posits that minor visible signs of disorder and misbehavior encourage further and worse disorder and misbehavior, eventually leading to collapse.
Today I’d like to instead give some examples of the much more civilized nature of popular entertainment from only a half century ago, in order to contrast this with the present. To do this I will cite just four movie examples, and challenge everyone today who is a passionate fan of modern films to watch them (all of which are available for free on the internet) and recognize the differences that I will describe. If you like movies, you will enjoy the experience, but I warn you, modern popular entertainment films do not compare well with these mid-twentieth century pop movies.
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An evening pause: Time for another Berkeley extravaganza. This except is only a small part of the full thirteen-plus minute Lullaby of Broadway number in the movie Gold Diggers of 1935. This movie was made when the talking pictures were still new, and making films that highlighted “All Talking! All Singing! All Dancing!” was the rage. It was also a time when all Americans danced arm-in-arm as one of their main forms of entertainment, so interest in great dancing like this was at its height.
Hat top Judd Clark.
An evening pause: What is most important about this performance is that Williams was doing the conducting on his 90th birthday. The only sour note of this performance is the idiotic masks they made some members of the orchestra wear. Obviously, a horn player can’t give anyone an infection, but a violin player can. Note too how all the VIPs on the front of the stage (such as Steven Spielberg) were also immune from COVID and didn’t need masks either. What fools and hypocrites.
Hat tip Phil Berardelli.
An evening pause: From the 1942 film, Orchestra Wives. The word “brass” in all its meaning captures the sense of this music and the American free culture then. Everything and anything was allowed, within the moral confines of Judeo-Christian ethics.
Hat tip Wayne DeVette.
I am in need for evening pause suggestions. If you are interested in suggesting an evening pause, please say so in the comments (without providing a link to that suggestion). I will contact you so you can forward it directly to me to schedule. The guidelines for submitting Evening Pauses:
1. The subject line should say “evening pause.”
2. Don’t send more than one per email.
3. Variety! Don’t send me five from the same artist. I can only use one. Pick your favorite and send that.
4. Live performance preferred.
5. Quirky technology, humor, and short entertaining films also work.
6. Search BtB first to make sure your suggestion hasn’t already been posted.
7. I might not respond immediately, as I schedule these in a bunch.
8. Avoid the politics of the day. The pause is a break from such discussion.
An evening pause: From the movie Gold Diggers of 1933. At least then there was an effort to remember the forgotten man. Today, it is considered racist to mention it.
Hat tip Wayne DeVette.
Courtesy of BtB’s stringer, who trolls the web to make sure I don’t miss any important stories.
Cunningham only flew in space once, on Apollo 7, the first shakedown flight of the Apollo capsule in October 1968. The flight lasted ten days, had no technical problems at all, though all three astronauts caught colds. Its success paved the way for the Apollo 8 mission around the Moon two months later.
It appears the FCC took an arbitrary number LeoLabs had used in a presentation merely for “ease of exposition and calculation in describing the methodology” and made it the basis for limiting the number of satellites SpaceX could launch. LeoLabs wants the FCC to fix this.
It is very clear that they got a lot of good footage when they were on ISS. It is a shame however that this trailer doesn’t have English subtitles, because I think it probably could make some money from American filmgoers.
An evening pause: It is more than a decade since I last posted this magnificent piece of music from the 1972 John Wayne film, The Cowboys. Time to post it again, because I think it makes a great start to a new year. Rather than John Williams conducting, this time we have a 2018 performance by the Stanisław Moniuszko School of Music Orchestra in Bielsko Biała, Poland, Andrzej Kucybała, conductor.
An evening pause: This interview of Burt Lancaster on the Dick Cavett Show took place on July 21, 1969 (the day after Neil Armstrong took that first step on the Moon).
I could not help noting how humble and gracious Lancaster seemed. He might have been one of the world’s most charismatic actors, but he surely did not appear full of himself. The second part of this interview can be watched here.
Hat tip Cotour.
Capitalism in space: According an interview last week from Donna Langley, chairman of Universal Film Entertainment Group, the company is arranging for Tom Cruise to film scenes of a movie on ISS, where Cruise will also be the first non-professional to do a spacewalk.
“That’s the plan. We have a great project in development with Tom that does contemplate him doing just that,” she said, “taking a rocket up to the space station and shooting and hopefully being the first civilian to do a spacewalk outside of the space station.”
She said the film request came from Cruise directly and that he is in close collaboration with director Doug Liman, who previously worked with Cruise in 2014’s “Edge of Tomorrow” and is also known for “The Bourne Identity” franchise, “Mr. and Mrs. Smith” and “Jumper.”
This claim might be true, but producers associated with Cruise have been making such claims now for three years, none of which have come even close to happening. I am sure the project is being discussed, and even pushed hard, but based on what has actually happened, this announcement could simply be a way to generate buzz for Cruise’s next film, whether or not he flies.
Nonetheless, I fully believe that Cruise is the source of this idea, and wants to do it, given his habit of doing his own stunts in his movies.