Richard Rogers – Edelweiss

An evening pause: From The Sound of Music (1965). The context: The Nazis have taken over Austria, and plan to arrest Captain Georg Ludwig von Trapp and his family at the end of this concert. This lovely song, Edelweiss, is initially sung by von Trapp as a farewell to his nation. As the song unfolds, however, it becomes instead a song of defiance against the Nazis, by the von Trapps and the audience.

Always, always, we must stand for freedom.

The Black Stallion

An evening pause: The central sequence from the 1979 movie, The Black Stallion, when the shipwrecked boy Alec succeeds in taming the shipwrecked Arabian horse. The combination of Carmine Coppola’s music and Caleb Deschanel’s photography in this sequence is unmatched.

Cleopatra enters Rome

An evening pause: As today is the Ides of March, I am always reminded of Julius Caesar. With that thought in mind, here is a clip from the 1953 movie, Cleopatra, staring Elizabeth Taylor, Rex Harrison, and Richard Burton. The movie overall isn’t very good, though the first half with Rex Harrison playing Julius Caesar is worth watching, partly because of Harrison and partly because it is very clearly inspired by George Bernard Shaw’s play Caesar and Cleopatra.

That first half also includes the scene below, when Cleopatra enters Rome, bringing with her her son by Caesar. A more classic example of late Hollywood spectacle would be hard to find. It is silly, absurd, impossible, and yet totally engrossing. And it was done with no computer effects. When Hollywood PR used to say a movie had a “cast of thousands,” they really meant it.

Top 10 Ways Hollywood Can Win Its Audience Back

The top ten ways Hollywood can win its audience back.

As someone who spent almost twenty years in the movie business, I think Nolte hits the nail on the head. I also think Hollywood will not do any of the things he suggests, mostly because it would require them to abandon their elite, leftwing ideology that for the past thirty years has become the only thing too many Hollywood people care about.

Five ridiculous gun myths promoted by movies

Five ridiculous gun myths promoted by movies. I like this one:

It’s an old joke by now that nobody runs out of bullets in action movies (unless it’s suddenly convenient to the plot, that is). Hollywood shows some restraint with revolvers–usually no more than 10 or 11 shots per six-shot cylinder–but damn, do they go hog-wild with anything that fires full-auto. So much so that that most of us have wound up with an utterly ridiculous concept of how those guns work. They’re seriously depicting these things firing a hundred times more bullets than they can actually hold.

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