Lawrence of Arabia

An evening pause: Lawrence of Arabia (1962). One of the greatest epic films ever made. And though the story is heavily dramatized, it captures quite accurately the substance and reality of T.E. Lawrence’s time in the Middle East during World War I. Sadly, I wonder if anything has changed.

The Time Machine

An evening pause: A clip from The Time Machine (1960). Though not a completely accurate adaption, this enchanting film captured the essence of H.G. Wells’ novel. As Wells wrote,

But to me the future is still black and blank — is a vast ignorance, lit at a few casual places by the memory of [the Time Traveler’s] story. And I have by me, for my comfort, two strange white flowers — shrivelled now, and brown and flat and brittle — to witness that even when mind and strength had gone, gratitude and a mutual tenderness still lived on in the heart of man.

Forbidden Planet

An evening pause: Forbidden Planet (1956). Almost a half century after its creation, this science fiction film is still one of the best every made. The story is supposingly inspired by Shakespeare’s The Tempest. This is also the film that gave Gene Roddenberry his inspiration for Star Trek.

Chamberlain’s speech from movie Gettysburg

An evening pause: In our modern “politically correct” society, many people object strenuously when I express my unwavering preference for the British-American culture that founded the United States. It seems that today’s polite society considers it judgmental and unfair to suggest our way of life is superior to others. Well, before you protest, please listen to this speech from the movie Gettysburg, in which Colonial Joshua Chamberlain explains why he decided to fight for the Union in the Civil War. To quote, “We are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.” Then he adds this most important point: “Here we judge you by what you do, not by who your father was.”

That is our culture. That is what we as a society have always stood for. And it is these values that I wish to propagate to the stars, a desire for which I will make no apologizes.

Whisper of the heart

An evening pause: Of all the animators in the world today, Hayao Miyazaki is probably the best. Every single one of his films is an incredible viewing experience. Here is a clip from Whisper of the Heart (1995), a truly wonderful film about young love and hope. Though he didn’t direct it, Miyazaki wrote the screenplay and storyboards as well as produced it. Not surprisingly, the film is seeped in his style, with the same unique but believable characters, unpredictable but compelling story-telling, and a magical originality that is rare in movies today.

Life as it should be

An evening pause: Tomorrow will be the 41st anniversary of the Apollo 11 landing on the Moon. So, let’s start the week with a clip from the 1972 film version of Man of La Mancha to show why some impossible dreams are certainly possible. In this short scene, Peter O’Toole, as Cervantes, explains why he does not like to look at life, “as it is.”

White Heat- I gotta get out

An evening pause: Whoever says that the Hollywood of the 1930s and 1940s only made feel-good films with happy endings has never watched very many of those films. Here’s some stark uncontrolled anger, from one of James Cagney’s best films, White Heat (1949), directed by Raoul Walsh.

Wyatt Earp goes dancing

An evening pause: Here is an iconic movie scene from an iconic director (John Ford). The film is My Darling Clementine (1946), one of the best westerns ever made. Tough guy sheriff Wyatt Earp, played by Henry Fonda, makes the toughest decision in his life. And it has nothing to do with firing a gun!

Julie and Dick at Covent Garden

An evening pause: In a previous post, I described how I have always felt that Julie Andrews’ incredible screen presence was only rarely taken full advantage of during her career. In Mary Poppins — one the films that did showcase her wonderfully, Andrews’ co-star was Dick van Dyke, an amazing talent in his own right. For that film, Andrews and van Dyke had a chemistry that was riveting. In an earlier movie era, the studios would have taken advantage of that chemistry and cast them together again and again, much as Spencer Tracy and Katherine Hepburn were repeatedly cast together throughout the 1940s and 1950s. Unfortunately, by the 1960s the studio system was dead and such casting was impossible, and Andrews and van Dyke have never again appeared on the big screen together.

However, in 1974 they did do a television variety show special together, Julie and Dick in Covent Garden. One particular skit from that show not only demonstrated vividly the chemistry between Andrews and van Dyke and how we had lost something precious by not having them appear together in many films, the skit’s story itself illustrated in a most ironic manner these lost opportunities of life. Enjoy.

Lonesome Polecat from 7 Brides for 7 Brothers

An evening pause: This haunting song from the movie Seven Brides for Seven Brothers is notable not only because of the beauty of the music and dancing, but because the entire number is shot as one take, no cuts. Everyone, from the actors with their axes to the crew moving the camera on its dolly and crane, had to be right on cue for everything to work. Note also that this version uses the original voices. In the movie the voice of the lead singer, Matt Mattox, was dubbed.

Bob Hope singing “Buttons and Bows”

An evening pause: Remembered mostly today for his dedication to entertaining our American troops overseas as well as his comedy movies with Bing Crosby, Bob Hope was more than this. He had one of the quickest wits of any comic in history combined with a manner that was gentle but honest. It is a shame that few comics today can put this combination together, going instead for a kind of Don Rickles-type insult humor instead. Here is Hope (with his co-star Jane Russell) in the movie The Paleface, showing that he could sing as well. The second-half of the clip shows a not-too-interesting skit with Roy Rogers and (again) Jane Russell with all three singing the same song:

Julie Andrews singing Burlington Bertie from Star!

An evening pause: Julie Andrews, in her prime, had one of the most incredible screen presences of any actor in the history of film. Unfortunately, though everyone will agree that she has had a marvelous career, except for a few rare but truly wonderful exceptions (Mary Poppins, The Sound of Music) I have always felt that her amazing ability to mesmerize an audience with a mere look was generally wasted in most of the movies she made.

Here is Julie in the movie Star!, which did not do well when released because it came out at a time (1968) when filmgoers seemed uninterested in entertaining musicals. Movies then had to relevant (oh that word!). She is playing a young woman whose deepest passion is to perform on the stage. This scene is her first real chance to do something solo. Stay till the end. Her first words after the she leaves the stage says it all. Unfortunately the versions available now cut that last line, where she so sincerely says, “That was wonderful.”

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