Spectacular 2,300-year-old wall mosaic found in archaeological dig in Rome
Archaeologists have uncovered a 2,300-year-old wall mosaic in almost perfect condition in Rome that had been part of a banquet room overlooking a garden.
Estimated to be around 2,300 years old, the work is part of a larger aristocratic mansion, located near the Roman Forum, that has been under excavation since 2018. Almost five meters long (16.4 ft) and featuring depictions of vines, lotus leaves, tridents, trumpets, helmets and mythological marine creatures, the mosaic scene was painstakingly created using mother of pearl, shells, corals, shards of precious glass and flecks of marble. The piece is framed by polychrome crystals, spongy travertine, and exotic, ancient Egyptian blue tiles.
What makes this discovery “unmatched,” said archaeologist Alfonsina Russo, head of the Colosseum Archaeological Park in charge of the site, is not only the incredible conservation of the mosaic, but its decoration which also features celebratory scenes of naval and land battles likely funded — and won — by an extremely wealthy aristocratic patron who commemorated the victories on their walls.
Though it is believed such tiled mosaics were common in the homes of wealthy Roman aristocrats, most have not survived in good condition, making this discovery significant as well as beautiful. In addition, the location of the house and the details within the mosaic could make it possible to actually identify the Roman who lived here, which in itself would be a major historical find.
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Archaeologists have uncovered a 2,300-year-old wall mosaic in almost perfect condition in Rome that had been part of a banquet room overlooking a garden.
Estimated to be around 2,300 years old, the work is part of a larger aristocratic mansion, located near the Roman Forum, that has been under excavation since 2018. Almost five meters long (16.4 ft) and featuring depictions of vines, lotus leaves, tridents, trumpets, helmets and mythological marine creatures, the mosaic scene was painstakingly created using mother of pearl, shells, corals, shards of precious glass and flecks of marble. The piece is framed by polychrome crystals, spongy travertine, and exotic, ancient Egyptian blue tiles.
What makes this discovery “unmatched,” said archaeologist Alfonsina Russo, head of the Colosseum Archaeological Park in charge of the site, is not only the incredible conservation of the mosaic, but its decoration which also features celebratory scenes of naval and land battles likely funded — and won — by an extremely wealthy aristocratic patron who commemorated the victories on their walls.
Though it is believed such tiled mosaics were common in the homes of wealthy Roman aristocrats, most have not survived in good condition, making this discovery significant as well as beautiful. In addition, the location of the house and the details within the mosaic could make it possible to actually identify the Roman who lived here, which in itself would be a major historical find.
Readers!
Please consider supporting my work here at Behind the Black. Your support allows me the freedom and ability to analyze objectively the ongoing renaissance in space, as well as the cultural changes -- for good or ill -- that are happening across America. Fourteen years ago I wrote that SLS and Orion were a bad ideas, a waste of money, would be years behind schedule, and better replaced by commercial private enterprise. Only now does it appear that Washington might finally recognize this reality.
In 2020 when the world panicked over COVID I wrote that the panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Only in the past year have some of our so-called experts in the health field have begun to recognize these facts.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
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