An evening pause: Hat tip Judd Clark, who provides this translation:
O flower flower
O flower flower bouquet bouquet
I’m for you
I’m for you
I’m crazy for you
I’m crazy, I’m crazy
I’m crazy, this is true
Where did you go that I was always on your mind
I’m dying from missing you because I cannot see you
Where did you go that I was always on your mind
I’m dying from missing you because I cannot see you
An evening pause: My readers recommend so many organ performances I decided to start the weekend with short but entertaining primer on how pipe organs work. As always, there are surprises. Our narrator was the organist on Monday’s evening pause.
An evening pause: Performed live 2024. Seem celebratory enough for Inauguration Day.
Hat tip Alton Blevins, who also needs to clean out his full inbox so that he can receive emails. It has been full now for several weeks, and all emails to him thus bounce.
An evening pause: A fun look at the physics and scale of the many spinning space stations proposed by science fiction writers over the decades. None of this is real, since sadly we have done only a few very inconclusive efforts in space to test this engineering.
An evening pause: Performed live 2012, but this was not before an audience but was simply their sound check performance beforehand to make sure the microphones were all at the right level to mix properly.
Hat tip to Ferris Akel, who adds “by a band that always took soundchecks very seriously.”
An evening pause: A bit of contrast from yesterday’s pause. Performed live 2022 by the Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin, Donka Miteva conducting.
An evening pause: A song for the coming new year by J.S. Bach. The words speak strongly to the leadership we choose, but they also speak strongly to us, for the choices we make. Our leaders can be bad or good, but either way the fault in the end in our Constitutional government lies with us, not them.
An evening pause: As we are in the middle of Hanukkah, and it is also Friday, here’s a hilarious send-off for the weekend, celebrating the holiday and the Jewish impact on American culture. Performed live 2002 on Saturday Night Live.
A Christmas Eve pause: As I have done now for several years on Christmas day, I bring you the classic 1951 version of Charles Dickens’ A Christmas Carol, starring Alastair Sim. In my opinion still by far the best adaption of the book and a truly wonderful movie.
And as I noted in a previous year:
Dickens did not demand the modern version of charity, where it is imposed by governmental force on everyone. Instead, he was advocating the older wiser concept of western civilization, that charity begins at home, that we as individuals are obliged as humans to exercise good will and generosity to others, by choice.
It is always a matter of choice. And when we take that choice away from people, we destroy the good will that makes true charity possible.
It is also most important that we all heed the words of Christmas Present: ‘This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.’”
An evening pause: Played on the great Sauer Organ of the Berliner Dom.
At the time of its dedication in 1905, the great Sauer Organ of the Berliner Dom was the largest in Germany, with its 7269 pipes and 113 registers, distributed across four manuals and pedals.
While not directly related to Christmas or the holidays, I think this piece is still appropriate for the season.
Hat tip Judd Clark, who adds, “Though I had reservations because of its length and because it has been subject to innumerable transcriptions and performances on different organs by different organists it has become cliché. But, it is an exceptional performance on an exceptional organ in an exceptional hall.”
An evening pause: The song is about one particular baby, appropriate for this Christmas season. But as I’ve said before on similar songs, it applies to every child born everywhere, for all time.