Jennifer Connelly – The Night Has A Thousand Eyes
An evening pause: From the really evocative science fiction film Dark City (1998). The film ain’t perfect, but it sticks with you long after you see it.
Hat tip Edward Thelen.
Tag: movies
Baby it’s cold outside
An evening pause: From the 1949 musical comedy Neptune’s Daughter, with Esther Williams, Ricardo Montalbán, Red Skelton, and Betty Garrett.
Hat tip Edward Thelen.
A Christmas Carol
A daytime pause: For Christmas Day, what better than to watch Alastair Sim’s incredible performance in the 1951 adaption of Charles Dickens’ A Christmas Carol.
I watched this again and felt like weeping, not because of the sentimentality of the story itself but because it is so seeped in a civilized world that increasingly no longer exists. There was a time when this was our culture. I fear it is no longer so. As noted by the Spirit of Christmas Present, “This boy is ignorance, this girl is want. Beware them both, but most of all beware this boy.”
Enjoy, and I hope you all have a Merry Christmas Day.
Audrey Hepburn – Moon River
An evening pause: I’ve posted this song as an evening pause previously, but I think Audrey Hepburn’s performance of the song in the 1961 movie, Breakfast at Tiffany’s, which introduced it to the world, deserves to be seen.
Hat tip Andrew_W.
André Rieu – Zorba’s Dance (Sirtaki)
An evening pause: From the Mikis Theodorakis score for the 1964 film, Zorba the Greek.
Hat tip Jim Mallamace.
Dooley Wilson – Knock on Wood
An evening pause: Just one of the continuous string of great scenes from the 1942 film, Casablanca, much of which is a silent interplay between the characters that only will make sense if you’ve seen the movie.
Hat tip Edward Thelen.
Grease – We Go Together
Judy Garland – The Man That Got Away
An evening pause: From A Star is Born (1954).
Hat tip Edward Thelen.
As always, I am open to evening pause suggestions from my readers. If you have one, say so here in a comment, but don’t post the link. I will email you to get it.
The Band – The Night They Drove Old Dixie Down
An evening pause: From the Martin Scorsese documentary, The Last Waltz (1978).
Note that if a band tried to write a song like this today, sympathetic to the southerns who died during the Civil War, they would probably find their careers destroyed. So much for artistic freedom, and having empathy for all souls.
Hat tip Wayne DeVette.
Claudia Drake – I can’t believe that you’re in love with me
“Have they tried SEC to Aux?”
An evening pause: From one of the best dramatic series ever produced of the 1960s space race, From the Earth to the Moon (1998), this is the Apollo 12 launch scene.
Hat tip Edward Thelen.
High Diving Giraffes
An evening pause: Based on some emails I have received, I think some people have been fooled by this cool animation and actually think these are real giraffes! This just tells us that it will not be long now before real actors are no longer necessary and it will be possible to do live action films entirely with animation.
Hat tip George Petricko.
Brainstorm
An evening pause: In one of the most powerful death scenes ever, Louise Fletcher plays a scientist who suddenly realizes it is about to happen. From the 1983 film Brainstorm.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
Bing Crosby & Grace Kelly – True Love
An evening pause: From the 1956 film High Society. And for my wife Diane today.
Hat tip Edward Theen.
Lonette McKee – Ill Wind
An evening pause: From the 1983 film, Cotton Club.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
Uptown Funk – Mark Ronson
Hope and Cagney dancing
An evening pause: From the 1955 Bob Hope film, The Seven Little Foys, with James Cagney playing George M. Cohan. Neither man is remembered for their dancing, but from this scene you wouldn’t know it.
Hat tip Tom Biggar.
John Williams – Flying theme from ET
An evening pause: I have always thought Steven Spielberg’s E.T. The Extra-Terrestrial (1982) to be incredibly over-rated, poorly edited, shallow with a predictable script, and not very interesting. Why the public went mad for it in 1982 always baffled me. Nonetheless, Williams’ score was and is magnificent, and a listen here might explain that madness somewhat.
Hat tip Danae.
on account of because
An evening pause: From the 1941 Howard Hawks classic, Ball of Fire, about eight professors who hire a burlesque dancer to explain slang to them. Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime, who notes, “Barbara Stanwyck demonstrates the art of seduction, complete with luminously backlit hair, opposite the uncharacteristically prim Gary Cooper.”
“I’m going to show you what yum-yum is!”
David Arnold – Independence Day
An evening pause: Vienna’s Radio Symphony Orchestra performs an excerpt of David Arnold’s soundtrack to the 1996 film Independence Day during the 2013 Hollywood in Vienna concert.
The film was incredibly silly, but fun nonetheless. The performance here captures some of that silliness, with the lighting and the smoke and the film clips. Also, the score’s use of a drum and flute in a short section near the middle is clearly intended to refer to the American Revolution, since in the movie the human race, led by Americans, conquers the aliens on the 4th of July, Independence Day..
Hat tip Danae.
An evening pause: Vienna’s Radio Symphony Orchestra performs an excerpt of David Arnold’s soundtrack to the 1996 film Independence Day during the 2013 Hollywood in Vienna concert.
The film was incredibly silly, but fun nonetheless. The performance here captures some of that silliness, with the lighting and the smoke and the film clips. Also, the score’s use of a drum and flute in a short section near the middle is clearly intended to refer to the American Revolution, since in the movie the human race, led by Americans, conquers the aliens on the 4th of July, Independence Day..
Hat tip Danae.
Excommunication scene from Becket
An evening pause: On the eve of this year’s election day, this scene from Becket (1964) expresses well what I wish the American voters would do to both the Democratic Party and the Republican leadership in Congress. They all need to go, for the health of the country and because of their repeated malfeasance in office.
Hat tip to Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
Ben-Hur – The Chariot Race
An evening pause: This clip is actually only the last half of the chariot race scene from Ben-Hur (1959), still one of the greatest action sequences ever put on film. And not only was it on film, but they did it without any computer animation. What you see is real, real horses and real chariots and real actors and real very skilled and brave stunt men. (See this short film on how the even earlier 1925 silent-era epic film Ben-Hur version was made, in a similar manner.)
If you get the chance, watch the 1959 film. Truly a great Hollywood epic.
Hat tip Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
Around the World in 80 Days
An evening pause: Hat tip to Phil Berardelli, author of the new edition of Phil’s Favorite 500: Loves of a Moviegoing Lifetime, who notes, “Producer Mike Todd lured dozens of stars to appear in cameos in his still-glorious take on the classic Jules Verne novel, and nowhere were they more delightful than in the San Francisco saloon scene.”
How many well known actors and performers can you spot doing cameos in this short clip?
All that Jazz – audition scene
An evening pause: Stay with it. The last bits of dialogue are worth it.
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
SpaceX – The Blue Danube
An evening pause: This SpaceX video taken by a camera attached to the fairing of the Falcon 9 rocket is cool not because of the video itself. Cameras on rockets have become routine, even for NASA. What is cool is that they have unveiled it using the same Johann Strauss waltz used in the move 2001: A Space Odyssey (1968). It shows that SpaceX is aware of the cultural impact of what they do.
Hat tip Tom Wilson, Tom Biggar, and others.
Chico and Harpo Marx – At the piano
An evening pause: From The Big Store (1941).
Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
The Americanization of Emily – “War is not moral”
An evening pause: A fine performance by James Garner from a Paddy Chayefski screenplay. While I agree that putting soldiers on pedestals is often a misplaced emotion that can lead to future unnecessary wars, I do not agree that all war is immoral. There are times, as a last resort, when good people have to stand up and fight, if only to prevent bad people from dominating the battlefield. In 1964, when The Americanization of Emily was released, Americans could be forgiven for being hostile to war. After World War II the country had gotten itself into a string of wars, the goals of all having been poorly considered. It was also a time when evil people were well restrained by our willingness to stand up to them.
Today, our fear and hostility to war is allowing evil to run rampant worldwide. It will very soon descend upon our heads if we do not begin to fight back.
Having said that, this is a fine and thoughtful scene from a fine and thoughtful movie, raising many profound thoughts about the nature and consequences of war. Hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
“Let’s all be manly!”
An evening pause: One of the many classic scenes from the classic Hollywood masterpiece, Adam’s Rib (1949).
Another hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.
For the birds
“If life were only like this.”
An evening pause: A classic comedy scene from Woody Allen’s Annie Hall (1977). What especially makes the scene work is how realistic he portrays what it was like to stand in a movie line in New York in the 1970s.
Another hat tip to Phil Berardelli, author of Phil’s Favorite 500: Loves of a Moviegoing Lifetime.