Apollo 11 videotapes sell for $1.82 million
The three original 2″ videotapes showing the astronauts on the lunar surface during Apollo 11, purchased by an engineering student as part of a lot of more than a thousand reels in 1976 for just over $200 have now sold at auction for $1.82 million.
The auction house, Sotheby’s, did not say who purchased the tapes. Hopefully whoever has intends to release the visuals, since it appears the quality is better than what we presently have.
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The three original 2″ videotapes showing the astronauts on the lunar surface during Apollo 11, purchased by an engineering student as part of a lot of more than a thousand reels in 1976 for just over $200 have now sold at auction for $1.82 million.
The auction house, Sotheby’s, did not say who purchased the tapes. Hopefully whoever has intends to release the visuals, since it appears the quality is better than what we presently have.
Readers!
My annual February birthday fund-raising drive for Behind the Black is now over. Thank you to everyone who donated or subscribed. While not a record-setter, the donations were more than sufficient and slightly above average.
As I have said many times before, I can’t express what it means to me to get such support, especially as no one is required to pay anything to read my work. Thank you all again!
For those readers who like my work here at Behind the Black and haven't contributed so far, please consider donating or subscribing. My analysis of space, politics, and culture, taken from the perspective of an historian, is almost always on the money and ahead of the game. For example, in 2020 I correctly predicted that the COVID panic was unnecessary, that the virus was apparently simply a variation of the flu, that masks were not simply pointless but if worn incorrectly were a health threat, that the lockdowns were a disaster and did nothing to stop the spread of COVID. Every one of those 2020 conclusions has turned out right.
Your help allows me to do this kind of intelligent analysis. I take no advertising or sponsors, so my reporting isn't influenced by donations by established space or drug companies. Instead, I rely entirely on donations and subscriptions from my readers, which gives me the freedom to write what I think, unencumbered by outside influences.
You can support me either by giving a one-time contribution or a regular subscription. There are four ways of doing so:
1. Zelle: This is the only internet method that charges no fees. All you have to do is use the Zelle link at your internet bank and give my name and email address (zimmerman at nasw dot org). What you donate is what I get.
2. Patreon: Go to my website there and pick one of five monthly subscription amounts, or by making a one-time donation.
3. A Paypal Donation or subscription:
4. Donate by check, payable to Robert Zimmerman and mailed to
Behind The Black
c/o Robert Zimmerman
P.O.Box 1262
Cortaro, AZ 85652
You can also support me by buying one of my books, as noted in the boxes interspersed throughout the webpage or shown in the menu above.
Robert Harris, who played a large part in the restoration of Lawrence of Arabia and Hitchcock’s Vertigo, wrote last week on the Home Theater Forum website during a discussion on the above mentioned auction—
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Decades ago, I purchased the assets of a documentary production entity, which created the majority of the NASA docs.
I originally acquired it with the intent of producing a multi-part doc on NASA and its predecessor, NACA. Never got around to it.
Beautiful 16 chromes, 35 negative, 70mm material, along with the original VistaVision negative of a Vanguard launch. Original 35 negative of the astronauts visiting Rocketdyne c. 1959.
Over the past few years I’ve discussed the collection with folks at NASA, but never had a cogent response.
You’d think they’d be desirous of owning this material.
Almost 550 rolls of film elements.
Although I offered to donate it to NASA, I’d love to sell it to some entity that would like to do a special doc.
Needs a proper home.
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