On Christmas Eve 1968 three Americans became the first humans to visit another world. What they did to celebrate was unexpected and profound, and will be remembered throughout all human history. Genesis: the Story of Apollo 8, Robert Zimmerman's classic history of humanity's first journey to another world, tells that story, and it is now available as both an ebook and an audiobook, both with a foreword by Valerie Anders and a new introduction by Robert Zimmerman.
"Not simply about one mission, [Genesis] is also the history of America's quest for the moon... Zimmerman has done a masterful job of tying disparate events together into a solid account of one of America's greatest human triumphs." --San Antonio Express-News
The Mars Express science team today released a mosaic produced by the orbiter’s high resolution camera of the 300 hundred mile long relic river valley Nirgal Vallis. The image to the right, reduced to post here, is the oblique view that was produced by computer using the camera’s stereo images.
This ancient valley system is named Nirgal Vallis, and was once filled with running water that spread across Mars. By exploring the characteristics of the surrounding craters, scientists estimate the system’s age to be between 3.5 and 4 billion years old.
The part of Nirgal Vallis captured in these images lies towards the western end of the river system, where it is slowly spreading out and dissipating; the eastern end is far less branched and more clearly defined as a single valley, and opens out into the large Uzboi Vallis – the suspected location of a large, ancient lake that has long since dried up.
Nirgal Vallis is a typical example of a feature known as an amphitheatre-headed valley. As the name suggests, rather than ending bluntly or sharply, the ends of these tributaries have the characteristic semi-circular, rounded shape of an Ancient Greek amphitheatre. Such valleys also typically have steep walls, smooth floors, and, if sliced through at a cross-section, adopt a ‘U’ shape. The valleys pictured here are about 200 m deep and 2 km wide, and their floors are covered in sandy dunes; the appearance of these dunes indicates that martian winds tend to blow roughly parallel to the valley walls.
Unlike the high resolution camera on Mars Reconnaissance Orbiter (MRO), which is for taking close-up images of specific surface features, Mars Express is producing a high resolution survey of the entire planet. Its camera does not have quite the same resolution, but as it is taking wider images that’s okay.
What is unfortunate is the European Space Agency’s policy for releasing those images. Unlike MRO, they do not make them all available to the public instantly. Instead, they periodically do press releases like today’s, highlighting a specific region or single large feature. As a result, Mars Express does not get the press it deserves.
We are now in the third week of my annual July fund-raiser for Behind the Black. My deep thanks to everyone who has so far donated or subscribed. The response this year has been wonderful.
We are not done yet. This monthly fund-raiser is now half over, and I am hoping the second half will result in as many donations as the first half did. If it does, I will remain free to continue my writing as I see fit, unblemished by the efforts of others to squelch my perspective in this increasingly intolerant world.
This year's fund-raising drive is also significant in that it celebrates the 10th anniversary of this website's founding. It is hard to believe, but I have been doing this for a full decade, during which I have written more than 22,000 posts, of which more than 1,000 were essays and almost 2,600 were evening pauses.
Therefore, I hope you will please consider donating to Behind the Black, by giving either a one-time contribution or a regular subscription, as outlined in the tip jar below. Your support will allow me to continue covering science and culture as I have for the past twenty years, independent and free from any outside influence.
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